Audio Engineering Society Preprints

AES 103rd Convention
Jacob K. Javits Convention Center
New York, New York, USA
September 26-29, 1997

AES Preprint Ordering

Single Convention Preprints are available through the AES Preprint Search and Shop facility.

Preprints Listing

#4509
L. N. Babkina, R. V. Dombrovsky
The Model of the Adaptive Filtering in the Peripheral Part of the and A. P. Molchanov Hearing System and Its Implementation

#4510
M. Pflueger, R. Hoeldrich, Systemand W. Riedler
A Nonlinear Model of the Peripheral Auditory

#4511
F. Baumgarte
A Physiological Ear Model for Auditory Masking Applicable to Perceptual Coding

#4512
T. Sporer
Objective Audio Signal Evaluation-Applied Psychoacoustics for Modeling the Perceived Quality of Digital Audio

#4513
G. Hali
Recording Baroque Organs in Big Churches

#4514
A. Morita, M. Iwaki, and S. Chiba
Development of "Ice-Zone Microphone" for Skating Sound Pick-Up

#4515
M. Roberts and R. Schulein
Measurement and Intelligibility Optimization of Directional Microphones for Use in Hearing-Aid Devices

#4516
J. Hebrock, K. Statham, and C. Kraft
Psychoacoustic Effects of Ringing in Microphones

#4517
B. Bartlett
Loudness Compensation by Microphone Frequency Response and Microphone Placement

#4518
S. Harris, X.-M. Gong, Standardand D. Josephson
Towards a Digitally Interfaced Microphone

#4519
J. Herre and J. D. Johnston
Exploiting Both Time and Frequency Structure in a System That Uses an Analysis/Synthesis Filterbank with High-Frequency Resolution

#4520
S.-H. Park, Y.-B. Kim, S.-W. Kim, and Y.-S. Seo
Multi-Layer Bit-Sliced Bit-Rate Scalable Audio Coding

#4521
L. Yin, M. Suonio, and M. Vaananen
A New Backward Predictor for MPEG Audio Coding

#4522
E. Shoval and M. Feder
Audio Compression Using Entropy-Coded Dithered Quantization

#4523
J. Vanderkooy
Loudspeaker Ports

#4524
T. Heed
Effects of B1-product Nonlinearities on Dynamic Resonance and QT

#4525
T. Katayama and M. Serikawa
Reduction of Second-Order Non-Linear Distortion of a Horn Loudspeaker by a Volterra Filter�Real-Time Implementation

#4526
N. Harris and M. O. Hawksford
The Distributed-Mode Loudspeaker (DML) as a Broad-Band Acoustic Radiator

#4527
M. Tashiro, G. Bank, and M. Roberts
A New Flat Panel Loudspeaker for Portable Multimedia

#4528
A. Morita, M. Iwaki, S. Chiba, and E. Miyasaka
Development of Thin Loudspeakers Suitable for HDTV Receivers with Large PDP Flat Display

#4529
R. Schreier
Mismatch-Shaping Digital-to-Analog Conversion

#4530
S. Harris, S. Green, and K. Leung
Techniques to Measure and Maximize the Performance of a 120-dB, 24-Bit, 96-kHz A/D Converter Integrated Circuit

#4531
H. Schoepp, S. Gierl, H. Hetzel, and D. J. Knapp
SAHARA-A Flexible, Multiprocessor, Mixed-Signal System on a Chip

#4532
K. Lin, J. Nohrden, J. Welser, J. Mayer, J. Rhode, T. Sculley, E. Gaalaass, and J. McElwee
A DSP with Integrated CODEC for Home Entertainment and Car Audio Applications

#4533
R. A. Wannamaker
Efficient Generation of Multichannel Dither Signals

#4534
R. Greenfield
General-Purpose Direct Form 1 IIR Filter Structure for Digital Audio Applications

#4535
S. A. Azizi
Performance Analysis of Linear-Phase Audio Filters Based on the Zero- Phase Filtering Concept

#4536
R. Adams, K. Nguyen, K. Sweetland
An Integrated AES/EBU Receiver/Sample-Rate Converterand

#4537
T. C. Tanner, Jr.
Reconfigurable Computing Systems for Audio DSP Applications

#4538
A. Baldini, G. Nottoli, and C. A. Paterlini
Software-Aided Mixing on a Low-Cost Digital Console

#4539
C. Hugonnet
A New Concept of Spatial Coherence Between Sound and Picture in Stereophonic (and Surrounding Sound) TV Production

#4540
A. Fukada, K. Tsujimoto, and S. Akita
Microphone Techniques for Ambient Sound on a Music Recording

#4541
J. Klepko
5-Channel Microphone Array with Binaural Head for Multichannel Reproduction

#4542
M. F. Davis and M. C. Fellers
Virtual Surround Presentation of Dolby AC-3 and Pro Logic Signals

#4543
A. Rimell and M. Hollier
Reproduction of Spatialized Audio in Immersive Environments with Non-Ideal Acoustic Conditions

#4544
D. Mitchell
Teaching Concepts in Mixing for Surround Sound-Pedagogical Changes with the Shift to 5.1

#4545
M. Colloms and C. Ellis
Diffuse-Field Planar Loudspeakers in Multimedia and Home Theater

#4546
A. Rubin
Live Interactive Music on the Internet

#4547
J. Fujimori and S. Kakiuchi
Digital Audio Transmission Over IEEE 1394: Protocol Design and Implementation

#4548
B. Moses and G. Bartlett
Audio Distribution and Control Using the IEEE 1394 Serial Bus

#4549
K. P. Gross
Operating Principles and Applications of Audio/Video Capable Networks

#4550
T. Thompson and H. Chamberlin
Presto: A High-Performance Transport for Digital Audio, Video, Control, and Synchronization

#4551
P. Heck, H. Hetzel, D. Knapp, T. Susanto, and D. Trager
Media-Oriented Synchronous Transfer�A Network Protocol for High-K. Rolfes, V. Srinivas, A. Stiegler, Quality, Low-Cost Transfer of Synchronous, Asynchronous, and Control Data on Fiber Optic

#4552
M. Poimboeuf
Synchronization of Digital Media, Clocks and Computers

#4553
T. Haines
Desktop Audio Acquisition Matrix

#4554
M. Morimoto
The Role of Rear Loudspeakers in Spatial Impression

#4555
T. J. Cox and P. D'Antonio
Room Optimizer: A Computer Program to Optimize the Placement of Listener, Loudspeakers, Acoustical Surface Treatment and Room Dimensions in Critical Listening Rooms

#4556
A. E. Ward
The Effect of Rooms on Multiple Loudspeaker Loading at Low Frequencies

#4557
A. E. Ward
A Comparison between Actual Measurements and Predictions Using a Closed-Form Image Method Model of a Six-Walled Room

#4558
T. Nousaine
Multiple Subwoofers for Home Theater

#4559
A. Järvinen, L. Savioja, H. Möller, V. Ikonen, and A. Ruusuvuor
Design of a Reference Listening Room-A Case Study

#4560
M. O. J. Hawksford
High-Definition Digital Audio in 3-Dimensional Sound Reproduction

#4561
B. Theiß and M. O. J. Hawksford
Phantom-Source Perception in 24-Bit @ 96-kHz Digital Audio

#4562
S. Yoshikawa, S. Noge, T. Yamamoto, and K. Saito
Does High Sampling Frequency Improve Perceptual Time-Axis Resolution of a Digital Audio Signal?

#4563
F. Bruekers, W. Oomen, R. van der Vleuten,and L. van de Kerkhof
Improved Lossless Coding of 1-Bit Audio Signals

#4564
Y. Ogura, T. Sugihara, S. Okada, H. Yamauchi, and A. Nishio
One-Bit Two-Channel Recorder System

#4565
R. ten Kate
Disc Technology for Super-Quality Audio Applications

#4566
E. Funasaka and H. Suzuki
DVD-Audio Format

#4567
R. C. Maher
A Low Complexity Spatial Localization System

#4568
T. C. Tanner, Jr.
Psychoacoustic Criteria for Auditioning Virtual Imaging Systems

#4569
A. Farina and E. Ugolotti
Use of Digital Inverse Filtering Techniques for Improving Car Audio Systems

#4570
G. H. Canfield and S. M. Kuo
Dual-Channel Audio Equalization and Cross-Talk Cancellation for Correlated Stereo Signals

#4571
M. J. Evans, J. A. S. Angus, and A. I. Tew
Spherical Harmonic Spectra of Head-Related-Transfer Functions

#4572
K. C. K. Foo and M. O. Hawksford
HRTF Sensitivity Analysis for Three-Dimensional Spatial Audio Using the Pair-Wise Loudspeaker Association Paradigm

#4573
Y. Kahana, P. A. Nelson, O. Kirkeby, and H. Hamada
Objective and Subjective Assessment of Systems for the Production of Virtual Acoustic Images for Multiple Listeners

#4574
O. Kirkeby, P. A. Nelson, and H. Hamada
Virtual Source Imaging Using the Stereo Dipole

#4575
F. Grossi and G. Majandi
The Audio Reinforcement System Project for the Rebuilding of the La Fenice Theater, Venice, Italy

#4576
B. H. M. Kok and W. C. J. M. Prinssen
Using Acoustic Enhancement to Improve Speech Intelligibility

#4577
O. Warusfel, P. Derogis, and R. Caussé
Radiation Synthesis with Digitally Controlled Loudspeakers

#4578
T. J. Cox and P. D�Antonio
Fractal Sound Diffusers

#4579
E.-J. Voelker and W. Tueber
The Importance of Early Sound for Recording and Reproduction-Is the Quality of Digital Sound Transmission Sufficient?

#4580
P. R. Newell and K. R. Holland
A Proposal for a More Perceptually Uniform Control Room for Stereophonic Music Recording Studios

#4581
K. R. Holland and P. R. Newell
Loudspeakers, Mutual Coupling and Phantom Images in Rooms

#4582
A. S. Bregman
When Will We Hear Separate Events in a Sequence of Sounds?

#4583
P. Cariani, M. Trama, and B. Delgutte
Neural Representation of Pitch through Temporal Autocorrelation

#4584
J. A. S. Angus and D. M. Howard
Interval Pitching Accuracy of Children Aged 7 to 11

#4585
K. Precoda and T. H. Meng
Subjective Audio Testing Methodology and Human Performance Factors

#4586
N. C. Otto
Listening Test Methods for Automotive Sound Quality

#4587
A. Farina and E. Ugolotti
Subjective Comparison of Different Car Audio Systems by the Auralization Technique

#4588
P. Gray, R. Massara, and M. Hollier
An Experimental Investigation of the Accumulation of Perceived Error in Time-Varying Speech Distortions

#4589
P. Kaeseler
Designing Interaction between Auditory and Visual Stimuli: Casestories from the Virtual LEGO-life

#4590
M. P. Hollier and R. Voelcker
Objective Performance Assessment: Video Quality as an Influence on Audio Perception

#4591
M. W. Macon, L. Jensen-Link, J. Oliverio, M. A. Clements, and E. B. George
Concatenation-Based MIDI-to-Singing Voice Synthesis

#4592
D. K. Wise
Approximation of Decimation Filters Using the SMAC Architecture

#4593
D. S. Mash
Music Campus of the Future

#4594
V. Välimäki and T. Tolonen
Development and Calibration of a Guitar Synthesizer

#4595
M. Kahrs
25 Years of Digital Synthesizer Architecture Patents

#4596
B. C. Wood
Computer-Controlled Attenuator for Subjective Evaluation Systems

#4597
J. M. Didden
Novel Feedback Topology Obviates the Need for High Loop Gain

#4598
A. Hewitt
A Simple Approximation for the Distortion in a Pulse-Width-Modulation Digital-to-Analog Converter

#4599
J. DeCelles
Characteristics of Demodulation Filters for Switching Power Amplifiers

#4600
R. D. McLaughlin, G. Stanley, and J. Wordinger
Audio Amplifier Efficiency and Balanced Current Design-A New Paradigm

#4601
R. A. R. van der Zee and A. J. M. van Tuijl
A High-Efficiency Low-Distortion Audio Power Amplifier

#4602
K. Nielsen
Pulse Edge Delay Error Correction (PEDEC)-A Novel Power Stage Error-Correction Principle for Power Digital-Analog Conversion

#4603
A. J. Magrath, I. G. Clark, and M. B. Sandler
A Sigma�Delta Digital Audio Power Amplifier-Design and FPGA Implementation

#4604
R. C. Cabot
Fundamentals of Modern Audio Measurement

#4605
A. Farina and F. Righini
Software Implementation of an MLS Analyzer with Tools for Convolution, Auralization and Inverse Filtering

#4606
M. J. Reed and M. O. J. Hawksford
Comparison of Audio System Nonlinear Performance in Volterra Space

#4607
J. A. S. Angus
A New Method for Analyzing the Effects of Jitter in Digital, Audio Systems

#4608
J. Atkinson
Loudspeakers: What Measurements Can Tell Us-and What They Can't Tell Us!

#4609
G. Budzynski and M. Szczerba
A New Approach to Acoustic Investigation of Organ Sound

#4610
G. Brock-Nannestad
The Objective Basis for the Production of High-Quality Transfers from Pre-1925 Sound Recordings

#4611
R. Hoeldrich and M. Lorber
Non-Linear Spectral Subtraction with Combined Smoothing Strategies for Broadband Noise Reduction

#4612
G. Brock-Nannestad
Applying the Concept of Operational Conservation Theory to Problems of Audio Restoration and Archiving Practice

#4613
A. Tuzman, R. Gadea, R. Laureiro, and F. Vilar
Restoration of Musical Signals Using Wavelet Transform and Modified Wiener Filtering

#4614
M. V. Kotvis
Audio Signal Processing Based on an Adaptive Time-Frequency Distribution

#4615
G. Brock-Nannestad
Traceability, Reproducibility, Compatibility-Quality Control Elements in Audio Information Transfer

#4616
P. Cook
Reconstruction of Early Glenn Gould Broadcasts: From Acetate to Compact Disc

#4617
S. Peus
Measurements on Studio Microphones

#4618
D. Josephson
Progress in Microphone Characterization-SC-04-04

#4619
J. Backman
Distortion from Boundary Layers

#4620
B. Grill
A Bit-Rate Scalable Perceptual Coder for MPEG-4 Audio

#4621
J. Koller, T. Sporer, and K. Brandenburg
Robust Coding of High-Quality Audio Signals

#4622
D. J. Button
Magnetic Circuit Design Methodologies for Dual Coil Transducers

#4623
J. A. Moorer
Music Recording in the Age of Multi-Channel

#4624
U. Horbach
New Techniques for the Production of Multichannel Sound

#4625
D. Griesinger
Progress in 5-2-5 Matrix Systems

#4626
T. Dolby Robertson
Linear Sound versus HyperSound: A Fresh Look at Audio on the Internet

#4627
T. White
Downloadable Sounds Level 1 Specification

#4628
F. Cruz-Barney and O. Warusfel
Prediction of the Spatial Informations for the Control of Room Acoustics Auralization

#4629
J.-M. Jot, L. Cerveau, and O. Warusfel
Analysis and Synthesis of Room Reverberation Based on a Statistical Time-Frequency Model

#4630
A. Chesnokov and L. SooHoo
Acoustic Characteristics of Timber-Framed Listening Rooms

#4631
J. A. S. Angus
Backward Adaptive Lossless Coding of Audio Signals

#4632
J. A. S. Angus
Lossless Audio Signal Processing

#4633
E. M. Wenzel
Analysis of the Role of Update Rate and System Latency in Interactive Virtual Acoustic Environments

#4634
P. Mapp and M. Colloms
Improvements in Intelligibility through the Use of Diffuse Acoustic Radiators in Sound Distribution

#4635
H. Azima and N. Harris
Boundary Interaction of Diffuse-Field Distributed-Mode Radiators

#4636
J. B. Allen
A Short History of Telephone Psychophysics

#4637
J. Bruck
The KFM 360 Surround-A Purist Approach

#4638
D. Griesinger
Spatial Impression and Envelopment in Small Rooms

#4639
J. R. Stuart
Coding Methods for High-Resolution Recording Systems

#4640
J. A. S. Angus and A. Simpson
Wideband Two-Dimensional Diffusers Using Orthogonal Modulated Sequences

#4641
K. Brandenburg and M. Bosi
ISO/IEC MPEG-2 Advanced Audio Coding: Overview and Applications

Back to AES Preprints


(C) 2003, Audio Engineering Society, Inc.