In This Section
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
Reflecting on Reflections - June 2014
AES Member Profile
- Recording Industry - Mastering Studio
- Recording Industry - Music Recording/Mix Studio
- Recording Industry - Post Production
I started in pro audio when I was 16. Facilitated by a brand new driver's license, I showed up one Saturday on the doorstep of United Sound in Detroit. A hundred Saturdays (and burgers) later I had my first job in a studio. As a nineteen year old I joined one of the most creative and unique recording environments ever: Motown Records. At Motown I started as a mastering intern and later moved into the recording studio, working on hit records for Stevie Wonder, Marvin Gaye, and a host of other legendary Motown artists.
My interest in working with rock bands grew out of working with Motown's Rare Earth, followed by work with a veritable Whose Who of the leading British rock producers from the 1960s. And when it became obvious Motown was leaving Detroit, I moved to San Francisco where my west coast adventures included everything from classical albums for Harmonia Mundi to Quicksilver Messenger Service, and the Grateful Dead. In 1991 I immersed myself in digital audio and moved into mastering with a natural progression into work in film, video, and multimedia. As an early adopter of digital editing for motion picture post production and surround sound, I worked with Andy Wiskes to introduce the gang at Skywalker Ranch to Digidesign.
I offer my audio expertise and mastering services through Bob Olhsson Audio and Georgetown Masters in Nashville, TN.
AES Member Profiles
If you are an AES member and would like to create your own AES member profile like this one then click here.