In This Section
Perceptual Effects of Dynamic Range Compression in Popular Music Recordings - January 2014
Accurate Calculation of Radiation and Diffraction from Loudspeaker Enclosures at Low Frequency - June 2013
New Measurement Techniques for Portable Listening Devices: Technical Report - October 2013
AES Member Profile
- Recording Industry - Music Recording/Mix Studio
- Recording Industry - Location Sound Recording
- Live Sound - Concert Sound
- Live Sound - Public Address
- Live Sound - Church Sound
- Product Design & Manufacturing - Hardware
- Author/Journalist/Technical Writer
- Hardware Designer
- Recording Engineer
- Sound Designer
- Systems Designer
My practice encompasses recording, live sound, sound system design & troubleshooting, technical writing, product design and evaluation. I don't do lights. I don't do video.
Over 40+ years experience, with roles ranging from live sound and recording to circuit design, system design and sales and marketing.
These days, I am emphasizing remote recording for acoustical music.
Non-AES Awards & Award Nominations
us patent 2033679
olympic college 1965-1967
us air force, 1967-1971
US Air Force
Audio Graphic Systems
Kaye Smith Studios
John Fluke Manufacturing
Audio Control Industrial
Mackie Designs, Inc.
Uneeda Audio Systems
FCC General Radiotelephone License (was known as 1st Class Radio Telephone License)
Amateur Radio License: KD7AYL
Why Am I An AES Member?
When I joined AES (1970) it was one of the few ways that information about audio beyond what was in consumer magazines could be found. There was no internet, the personal computer had yet to be invented. The Journal was an oasis in a vast desert.
AES Member Profiles
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