Live Sound: Concert Sound
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Manhattan’s Broadway represents one of the most hostile environments imaginable for wireless microphone use. How do sound designers and system engineers cope with the RF soup that fills the ether in “The Great White Way,” and what lessons learned can be applied to theater applications in general? This session will offer answers.
Karl Winkler, Lectrosonics - Rio Rancho, NM, USA
Christopher Evans, The Benedum Center - Pittsburgh, PA, USA
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