145th AES CONVENTION Paper Sessions

AES New York 2018
Paper Sessions

PRELIMINARY TOPICS (subject to change)

Papers:

  • Musical Instrument Synthesis and Morphing in Multidimensional Latent Space Using Variational, Convolutional Recurrent Autoencoders
  • Developing Audio Engineering Skills-A Model for Failure
  • Speech Classification for Acoustic Source Localization and Tracking Applications Using Convolutional Neural Networks
  • Audio Forensic Gunshot Analysis and Multilateration
  • Optimization Algorithms Substitute Guesswork in Loudspeaker Design
  • Concepts for Microphone EOL Testing
  • From Spatial Recording to Immersive Reproduction-Design & Implementation of a 3DOF Audio-Visual VR System
  • Shotgun Microphone with High Directivity by Extra-Long Acoustic Tube and Digital Noise Reduction
  • Required Bit Rate of MPEG-4 AAC for 22.2 Multichannel Sound Contribution and Distribution
  • An Acoustic Model of the Tapped Horn Loudspeaker
  • Estimation of Microphone Impulse Response and Its Identification
  • Scalable and Room-Adapting Upmix
  • Music Enhancement by a Novel CNN Architecture
  • A Survey and Analysis of Consumer Headphones Based on Their Subjective and Objective Sound Quality
  • Microphone Array Geometry for Two-Dimensional Broadband Sound Field Recording
  • Active Multichannel Audio Downmix
  • On the Influence of Cultural Differences on the Perception of Audio Coding Artifacts in Music
  • Performance and Installation Criteria for Assistive Listening Systems
  • A Quiet Zone System, Optimized for Large Outdoor Concerts
  • Subjective Assessment of Adaptive Audio for Bluetooth Wireless Applications
  • Online vs. Offline Multiple Stimulus Audio Quality Evaluation for Virtual Reality
  • Supervised Source Localization Using Spot Microphones
  • The History of Record Production as a Learning Element for Audio Education. The Particular Case of the Record Industry in Colombia
  • Developing a Method for the Subjective Evaluation of Smartphone Music Playback
  • Method for Quantitative Evaluation of Auditory Perception of Nonlinear Distortion: Part II - Considering the Characteristics and Time Distribution of Nonlinear Distortions
  • Future Educational Goals for Audio Recording and Production (ARP) Programs: A Decade of Supporting Research
  • Manuel and Computerized Musical Genre Classification
  • Prediction of Binaural Lateralization Percepts from the Coherence Properties of the Acoustic Wavefield
  • Improved Psychoacoustic Model for Efficient Perceptual Audio Codecs
  • High Power Density for Class-D Audio Power Amplifiers Equipped with eGaNFETs
  • Influence of Visual Content on the Perceived Audio Quality in Virtual Reality
  • Minimizing Defects in Loudspeaker Systems
  • Second Order Gradient Loudspeakers
  • Measuring Preference, proximity, and Attention in Rooms
  • HRTF Individualization: A Survey
  • Analysis of Piano Duo Tempo Changes in Varying Convolution Reverberation Conditions
  • On the Interdependence of Loudspeaker Motor Nonlinearities
  • Comparing Effect of Sound on Immersion in VR and TV
  • Spatial Auditory-Visual Integration: The Case of Binaural Sound on a Smartphone
  • Perceptual Audio Evaluation of Media Device Orchestration Using the Multi-Stimulus Ideal Profile Method
  • On the Efficiency of Flown vs. Ground Stacked Subwoofer Configurations
  • Comparison of Dynamic Driver Current Feedback Methods
  • Non-Linear Optimization of Sound Field Control at Low Frequencies Produced by Loudspeakers in Rooms
  • Development and Evaluation of an Audio Signal Processing Educational Tool to Support Somatosensory Singing Control
  • Using Proportional Parametric Equalizers to Reach a Target Magnitude Response
  • Standing-Wave Model of Interference Tubes for Microphones
  • The New Dynamics Processing Effect in Android Open Source Project
  • A Quantitative Study of Multitrack Music Mix Balance
  • Jazz Production Techniques-Cultural Politics and the Performers Perspective
  • Analog Circuits and Port-Hamiltonian Realizability Issues: A Resolution Method for Simulations via Equivalent Components
  • Impression of Spatially Distributed Reverberation in Multichannel Audio Reproduction
  • Evaluation of Implementations of the EBU R128 Loudness Measurement
  • Improving Audio Performance of Microphones Using a Novel Approach to Generating 48 Volt Phantom Powering
  • Investigation of Subjective Test Interface Choice Impact on the Validity of Results
  • Clocking Differences: Is it Really Distortion?
  • Effect of Binaural Difference in Loudspeaker Directivity on Spatial Audio Processing
  • A Novel Pseudoinverse for the Pressure-Matching Beamforming Method
  • Case Study: An Interdisciplinary Audio Curriculum
  • Evaluation of Efficiency and Voltage Sensitivity in Horn Drivers
  • Multichannel Fusion Using Audio-based Features for Acoustic Event Classification
  • New Horn Driver Based on Annular Diaphragm and Side-Firing Compression Chamber
  • Characterization of Nonlinear Port Parameters in Loudspeaker Modeling
  • Psychoacoustic Dissonance Measurement in Reverberant Spaces
  • Perception of Phase Changes in the Context of Musical Audio Source Separation
  • Sound Field Control for Reducing Noise from Outdoor Concerts
  • Spaciousness and Envelopment in Listening Rooms
  • The Effect of Pinnae Cues on Lead-Signal Localization in Elevated, Lowered, and Diagonal Loudspeaker Configurations
  • On the Physiological Validity of the Group Delay Response of All-Pole Vocal Tract Modeling
  • 3DCC: A Dual-Capsule Microphone Approach for Native B-Format Recording
  • Reducing Musical Noise in Transform Based Audio Codecs
  • Analysis and Modal Synthesis of a Slinky Reverberator
  • Room Volume Estimation from Impulse Responses Using Deep Gaussian Process Regression
  • Statistical and Analytical Approach to System Alignment
  • The Impact of Compressor Ballistics on the Perceived Style of Percussion
  • Real-Time Building Acoustics Auralization of Virtual Environments
  • Analysis of Musical Sounds Based on Spectral Representations with Chromatic and Harmonic Alignments
  • Hyper-Compression in Music Production: Testing the "Louder Is Better" Paradigm
  • Advancements in Propagation Delay Estimation of Acoustic Signals in an Audience Service for Live Events
  • Perceptual Evaluation of an Augmented Audience Service under Realistic Live Conditions
  • Estimation of the Headphone Openness Based on Measurements of Pressure Division Ratio, Headphone Selection Criterion, and Acoustic Impedance
  • Risk of Sound-Induced Hearing Disorders for Audio Post Production Engineers: A Preliminary Study

Posters:

  • Optimal Exciter Array Placement for Flat-Panel Loudspeakers Based on a Single-Mode, Parallel-Drive Layout
  • All-Pass-Based Artificial Reverberation System for Automotive Applications
  • The "Studio" as a Collaborative, Dissemination, and Pedagogical Tool for Sonic Composition
  • Real-Time Stereo-to-9.1 Upmixing Algorithm Using Max/MSP
  • Automixing of Multitrack Material Using Modified Loudness Models
  • Virtual Source Reproduction Using Two Rigid Circular Loudspeaker Arrays
  • Advanced Double-MS Decoding
  • Perception of Stereo Noise Bursts with Controlled Interchannel Coherence
  • Quantifying Listener Preference of Flat-Panel Loudspeakers with Objective Measures
  • Audio Portraiture-The Sound of Identity, an Indigenous Artistic Enquiry
  • AudioworX-Enabling Advanced Audio Development & Deployment
  • Real-Time System for the Measurement of Perceived Punch
  • Characterizing the Effect on Linear and Harmonic Distortions of AC Bias and Input Levels when Recording to Analog Tape
  • The Effect of Transitioning between Individualized and Generic HRTFs on Localization Performance in Virtual Environment
  • Spatial Audio Coding with Backward-Adaptive Singular Value Decomposition
  • Harmonic Drum Design Based on Multi-Objective Shape Optimization
  • Reverberation Modeled as a Random Ensemble of Images
  • Algorithm to Determine Downmixing Coefficients from Specific Multichannel Format to Reproduction Format with a Smaller Number of Channels
  • Design and Implementation of a Binaural Reproduction Controller Applying Output Tracking Control
  • Estimation of MVDR Beamforming Weights Based on Deep Neural Network
  • 3D Sound Creation Using Two Side-Loudspeaker-Matrices-Investigation of the Size and Shape of the Loudspeaker Matrices
  • Vibrational Contrast Control for Local Sound Source Rendering on Flat Panel Loudspeakers
  • Horizontal Binaural Signal Generation at Semi-Arbitrary Positions Using a Linear Microphone Array
  • Troubleshooting Resource Reservation in Audio Video Bridging Networks
  • Magnitude Equalization of Bone Conduction Headphones Based on Hearing Thresholds
  • Near-Field Compensated Higher-Order Ambisonics Using a Virtual Source Panning Method
  • On the Accuracy of Audience Implementations in Acoustic Models
  • A Method for Measuring Individualized HRTFs with Ear Canal Microphones to Be Used in XR Binaural Rendering
  • Precision Maximization in Anger Detection in Interactive Voice Response Systems
  • Virtual Room Auralization System Based on the Ambisonics Matching Projection Decoding Method
  • Microphone Comparison for Snare Drum Recording
  • High Resolution Horizontal Arrays (HRH-Arrays) for Sound Stages and Room Acoustics, Concepts, and Benefits
  • Analysis of the Performance of Evolved Frequency Log-Energy Coefficients in Hearing Aids for Different Cost Constraints and Scenarios
  • Environment Replication with Binaural Recording: Three-Dimensional (3-D) Quadrant and Elevation Localization Accuracy
  • Solar Powered Autonomous Node for Wireless Acoustic Sensor Networks Based on ARM Cortex M4
  • Combining the Signals of Sound Sources Separated from Different Nodes after a Pairing Process Using a STFT-Based GCC-PHAT
  • Professional Practice in Modern Private and Public Recording Studios
  • The Sound Diffusion Simulation Software Basing on Finite-Difference Time-Domain Method
  • Evaluation of Additional Virtual Sound Sources in a 9.1 Loudspeaker Configuration
  • Noticeable Rate of Continuous Change of Intensity for Naturalistic Music Listening in Attentive and Inattentive Audiences
  • Perception of Elevated Sources Using Four HRTF Datasets
  • A Parametric Spatial Audio Coding Method Based on Convolutional Neural Networks
  • Automatic Guitar Tablature Transcription from Audio Using Inharmonicity Regression and Bayesian Classification
  • Building Virtual Reality Concert Halls: Improving Workflows for Recording and Rendering Spatial Audio Contents for 360/VR Concert Videos
  • A Statistical Metric for Stability in Instrumental Vibrato
  • Floor Reflection Effect on Negative Elevation Spatialization via Headphones
  • Iterative Parameters Estimation for a Nonlinear Model of Electrodynamic Loudspeaker
  • Reproducing an Audio Signal According to Its Music Content and the Interior Acoustical Conditions
  • A Study of the Effect of Head Rotation on Transaural Reproduction
  • Assessing Beat Sensitivity of Elementary School Children
  • Machine Learning Applied to Aspirated and Non-Aspirated Allophone Classification-An Approach Based on Audio "Fingerprinting"

This is a preliminary list. Come back soon for more details.