SOUND AND STORY, AMPLIFIED

Do your interests or work include Broadcast and Streaming, Networked Audio, Audio for Virtual and Augmented Reality, Live Sound, Studio Recording, Home Recording, Music Production, Game Audio, Sound for Picture or Product Development? The 143rd Audio Engineering Society International Convention has you covered in one exclusively end-user focused event.

All Access registration provides access to the entire Convention, including a comprehensive papers, workshops and tutorials program. Exhibits-Plus access gains you entry to the exhibition floor and demo rooms, where leading manufacturers reveal and demonstrate the latest in audio hardware and software tools. The "Plus" includes the application-oriented sessions on the exhibit floor Expo theatres and Pavilions, along with other special events.

NAB Media in Action

AES New York 2017 will be co-located with the independent NAB Show New York 2017 event. In an adjacent exhibition hall, NAB Show New York exhibitors will be on hand with the latest video and distribution hardware and related sessions. Your Exhibits-Plus or All Access AES New York registration includes access to both exhibition halls.

If It's About Audio, It's at AES!

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Featured Events

This is just a small sampling of what will be happening at AES this year!

Wednesday, October 18th

09:00 - 10:30

B01   Designing and Constructing a Radio Performance Space

David Prentice; Sam Cappas; Joshua Morris; Steve Shultis; Jeff Smith

10:45 - 12:15
Christopher Struck

PD01   Headphones, Headsets & Earphones: Electroacoustic Design & Verification

Christopher Struck

Let's review the basic the electroacoustic concepts of gain, sensitivity, sound field correction, linear and non-linear response, etc.

14:00 - 17:00
Sean Olive

P05   Perception—Part 1

Sean Olive

Welcome to one of the best paper sessions happening in NYC this week!

14:00 - 15:30

AR02   The Edison Kinetophone

Jerry Fabris; Brad McCoy; George Willeman

History of the first mechanical system for presenting talking pictures!

15:45 - 17:15

RP03   Recording Studio Design Addresses Immersive Audio Production

John Storyk; Tom Beyer; Renato Cipriano; Paul Geluso; Daniel Reis

Examine the requirements and realities associated with building or upgrading studios to meet Immersive Audio production needs.

Thursday, October 19th

10:45 - 12:15

TW05   New Developments in Listening Test Design

Brecht De Man; Jan Berg; Jürgen Herre; Todd Welti

10:45 - 12:15

GA05   Star Trek: Bridge Crew VR - Audio Post Mortem

Justin Drust; Matthew McCallus

New frontiers in VR game audio development from multiple perspectives.

15:00 - 16:15

RP06   The Recording Academy P&E Wing Presents: High Resolution Record Production and Why it Matters

Michael Romanowski; Chuck Ainlay; Marc Finer; Leslie Ann Jones; Bob Ludwig

Stay tuned for another interesting event from Grammy SoundTable panel.

16:30 - 18:00

GA09   Music Recording for Virtual Reality

Gavin Kearney; Hyunkook Lee; Hashim Riaz; Mirek Stiles

This event will look at how traditional recording workflows can be adapted to immersive 360.

16:30 - 17:45

SE05   Producing Across Generations: New Challenges, New Solutions

Nick Sansano; Jesse Lauter; George Massenburg; Bob Power; Kaleb Rollins; Hank Shocklee; Erin Tonkon

Friday, October 20th

09:00 - 11:00

GA10   State of the Art: Kickstart Your Career in Audio for Games, VR, and Beyond

Scott Looney; Brennan Anderson; Bonnie Bogovich; Damian Kastbauer; Larry the O

Creating compelling sound for games takes an incredible combination of skills; see what you need to succeed!

09:00 - 10:30

AR07   The Past and Future of Archiving & Preservation

Rebecca Yuri Feynberg; George Massenburg; Brad McCoy; Toby Seay; Nadja Wallaszkovits

A taste of next year's AES conference.

13:30 - 15:00

SE08   Mastering for the New Paradigm: High Resolution Audio, Streaming and High Resolution Streaming

Bob Ludwig; Ian Shepherd; Bob Stuart

This years Platinum Mastering Panel explores the new audio paradigms of high resolution audio and streaming.

15:15 - 16:15
Tom Ammermann

SA09   Kraftwerk and Booka Shade —The Challenge to Create Electro Pop Music in Immersive / 3D Audio Formats Like Dolby Atmos.

Tom Ammermann

Production philosophies, strategies and workflows to create immersive/3D in current workflows and DAWs will be shown and explained.

15:15 - 17:15

EC12   Student Recording Competition—Part 2

A distinguished panel of judges participates in critiquing finalists of each recording category in an interactive presentation and discussion.

Saturday, October 21st

09:00 - 11:00

SE11   How Latin Music Turned into Mainstream

Andres A. Mayo; Carli Beguerie; Mariano Bilinkis; Héctor Castillo; Ari Lavigna; Juan Cristobal Losada; Ezequiel Morfi; Daniel Sanint

These industry pros will open up their mixing sessions to show the audience how they produce music these days.

09:00 - 10:15

SR04   Theatrical Sound Design

Nevin Steinberg; Kai Harada; Scott Lehrer; Nicholas Pope

13:30 - 14:30
Tom Ammermann

GA15   Create Sound and Music for VR and 360 Using Common DAW Workflows.

Tom Ammermann

This session focuses on the latest initiatives and developments of Augmented and Virtual Reality research and development centers.

13:30 - 15:00

TW10   Towards the New Horizon of Technical Ear Training

Sungyoung Kim; Jason Corey; Kazuhiko Kawahara; Doyuen Ko; Sean Olive; Timothy Ryan

This event aims to provide the attendees with chance to experience theoretical and empirical matters of ear training programs.

15:00 - 17:00
Chris Pike

B13   What's This? Doctor Who with Spatial Audio!

Chris Pike

What happens in post to transform a normally recorded episode into a magnitude-enhanced experience?

Event FAQs

Find Your Answers

Exhibition Hours

Oct 18th   10am - 6pm

Oct 19th   10am - 6pm

Oct 20th   10am - 4pm

Technical Program

Oct 18th   9am - 6pm

Oct 19th   9am - 6pm

Oct 20th   9am - 6pm

Oct 21st   9am - 5pm

Registration Desk

Oct 17th   3pm - 7pm

Oct 18th   8am - 6pm

Oct 19th   8am - 6pm

Oct 20th   8am - 6pm

Oct 21st   8am - 4pm

You can pick up your badge from the Registration Desk during registration desk hours. They can look you up by name, or if you have received a barcode email then print it and bring it with you - that will speed up the process.

Registration Desk Hours

Oct 17th   3pm - 7pm

Oct 18th   8am - 6pm

Oct 19th   8am - 6pm

Oct 20th   8am - 6pm

Oct 21st   8am - 4pm

Yes! The world's largest pro audio end-user event returns to New York in October 2017, for the 143rd International AES Convention. Building on successes in New York in 2015 and LA in 2016, the Exhibition floor is poised for outstanding end-user contact.

Drawing additional attendees into the Exhibition hall, the exhibit-floor stages of the Live Sound Expo and the Project Studio Expo are proven to increase exhibits area traffic. In addition, new stages and events are being launched to further draw attendees to the Exhibition hall - the Broadcast Audio Expo and Broadway Sound Expo, a new software@aes Pavilion, an Audio 4 VR Pavilion, and a series of Mix with the Masters Mixing Workshops.

High visibility and high performance sponsorship opportunities are available for the Convention, track sessions and the Exhibits-area events. These sponsorships offer unparalleled advertising and branding benefits.

You can now book your hotel on our housing website. We have negotiated group rates at many of the hotels surrounding the convention center.

Our app for AES New York 2017 is still being finalized, but yes - we'll definitely have one!

Become an AES Member

Along with the status of peer-recognition as an audio professional, AES membership also affords discounts on convention registration.

Become a Member Now

18,427

Registrants (in 2015)

0,737

Speakers & Authors

0,331

Sessions

0,028

Sponsors

Sponsors & Exhibitors

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Venue Information

Jacob K. Javits Convention Center

Location

Jacob K. Javits Convention Center
655 W 34th St
New York, NY 10001

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Transport

Get to Javits Center

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Hotels

Hotels in the area.

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