Friday, September 30, 9:30 am — 10:30 am (Rm 405)
Abstract:
Technical Committee Meeting on Sound for Digital Cinema and Television
Friday, September 30, 1:30 pm — 3:00 pm (Rm 501ABC)
Abstract:
A reprise of the hugely-popular Film & TV Production Sound workshop held in Los Angeles in 2014. Production sound, which is the primary method of capturing the dialog for film and TV, uses very specific and unique methods and equipment for this work, often done in the field. The top professionals will discuss their methods for capturing the so-important words.
This session is presented in association with the AES Technical Committee on Audio for Cinema |
Friday, September 30, 3:15 pm — 4:45 pm (Rm 501ABC)
Abstract:
Like all areas of film and TV production, the craft of Music Scoring is undergoing significant changes to meet the growing demand for productions. These leading professionals discuss the process of preparing and recording the music.
This session is presented in association with the AES Technical Committee on Audio for Cinema |
Friday, September 30, 5:00 pm — 6:30 pm (Rm 408B)
Abstract:
The intelligibility of the dialog is of great importance to the audience. There have been growing reports of both film and TV productions where the audience has been unhappy with what they’re hearing in the cinema, and at home. This workshop looks at the issues from the microphone through the editing and mixing process, and then into the listening environment with the leading professionals in this area.
This session is presented in association with the AES Technical Committee on Audio for Cinema |
Saturday, October 1, 9:00 am — 10:30 am (Rm 501ABC)
Abstract:
The Sound Design of a film or TV production is an important and specific task to ensure the director’s vision is delivered to the audience. We hear from leading sound design professionals in this workshop.
This session is presented in association with the AES Technical Committee on Audio for Cinema |
Saturday, October 1, 10:45 am — 12:15 pm (Rm 501ABC)
Abstract:
Once the dialog, music, and sound effects have been prepared, the dubbing mixers for film and television have the final impact on these productions. The complexity of the task has increased dramatically over the years and the skills of these professionals is quite often make-or-break for the project. We bring the leading professionals in this craft to discuss the challenges they face in their work.
This session is presented in association with the AES Technical Committee on Audio for Cinema |
Sunday, October 2, 1:30 pm — 3:00 pm (Rm 408B)
Abstract:
Immersive sound formats are growing in use for film & television. Design of realistic and engaging immersive sound fields is challenging the this fast-paced production environment. These Hollywood-based sound designers will discuss their experiences crafting these immersive sound fields and their use of specialty tools like Sound Particles. Hear the sound design experiences of award-winning professionals Mark Mangini (Mad Max: Fury Road), Jason Jennings (Teenage Mutant Ninja Turtles: Out of the Shadows), and Benjamin Cook (Black Sails).
This session is presented in association with the AES Technical Committee on Audio for Cinema |