AES San Francisco 2012
Friday, October 26, 12:30 pm — 2:00 pm (Room 134)
Special Event: Opening Ceremonies
Awards
Keynote Speech
Presenter:Bob Moses, AES - Vashon Island, WA, USA
Keynote Speaker:
Steve Lillywhite, CBE, UK
Abstract:
Keynote Speaker
Listen With Your Ears, And Not Your Eyes
Multi-Platinum record producer (and Commander of The British Empire/CBE recipient) Steve Lillywhite, has collaborated with stars ranging from The Rolling Stones, U2, Peter Gabriel, Morrissey, Counting Crows, and The Pogues to The Killers, Dave Matthews Band, and Thirty Seconds to Mars. Over the past thirty years, he has made an indelible impact on contemporary music, and he continues to hone the razor edge with innovative new projects. His AES Keynote address will focus on the importance of “studio culture,” and on inspiring and managing the creative process. He will also stress the importance of embracing new technology while avoiding the trap of becoming enslaved by it. Steve Lillywhite's studio philosophy emphasizes the axiom “Listen with your ears and not your eyes.”
Friday, October 26, 3:30 pm — 5:00 pm (Room 134)
Special Event: Sennheiser
Moderator:Al Schmitt, Los Angeles, CA, USA
Panelists:
Chuck Ainlay
Ed Cherney, Edward Cherney Company - Venice, CA, USA
Frank Filipetti
George Massenburg, Schulich School of Music, McGill University - Montreal, Quebec, Canada
Elliot Scheiner
Abstract:
Al Schmitt & Friends: AES Roundtable of Award-Winning Engineers
A roundtable discussion of modern recording techniques and trends will be hosted by 21-time Grammy-winning engineer and producer Al Schmitt. The panel includes some of the biggest names in audio production: Elliot Scheiner (Foo Fighters, Eric Clapton), Ed Cherney (Bob Dylan, The Rolling Stones), George Massenburg (Earth Wind & Fire, James Taylor), Chuck Ainlay (Mark Knopfler, Dire Straits), and Frank Filipetti (Foreigner, KISS).
Topics covered at the roundtable will include:
• Understanding the differences of recording at home, in a project studio and in a larger traditional studio
• How to effectively record drums
• How and when to use effects
• Techniques for vocal thickening
• Obstacles that were encountered and resolved during the recording of classic albums
• Diplomacy in the studio with artists, executives and other stakeholders
The event will be sponsored by the Sennheiser Recording Sound Academy and is open to all AES attendees.
Friday, October 26, 8:00 pm — 9:00 pm (Off-Site 1)
Special Event: Organ Concert
8:00 pm - 9:00 pm
Organist:Graham Blyth, Wantage, Oxfordshire, UK
Abstract:
This year's concert is being held at St. Mark's Lutheran Church. The organ is a 2-manual and pedal Taylor & Boody, with a stop-list chosen to represent the North German Organs of the Baroque period.
The program is going to be all Bach and will include the Dorian Toccata BWV538, the Six Schubler Chorales, selected Chorale Preludes from the Eighteen Chorales, Vivaldi/Bach Concerto in A minor, and the Prelude & Fugue in CBWV545.
This is a FREE event and is first-come, first-served.
Saturday, October 27, 10:00 am — 6:00 pm (Exhibition)
Exhibit: Exhibition
Abstract:
Leave plenty of time to walk the exhibits floor so you can learn about the latest products and technologies, scope out your competitors, or simply drool over the latest toys.
Saturday, October 27, 10:00 am — 11:00 am (Proj St EX)
Project Studio Expo: Focal Press Author Panel – Can Project Studios Really Get Professional Results?
Moderator:Kyle P. Snyder, Ohio University, School of Media Arts & Studies - Athens, OH, USA
Presenters:
David Miles Huber, www.davidmileshubre.com - Seattle/Berlin; Seattle/Berlin
Jay Kadis, CCRMA, Stanford University - Stanford, CA, USA
William Moylan, University of Massachusetts - Lowell - Lowell, MA, USA
Will Pirkle, University of Miami - Coral Gables, FL, USA
Mike Senior, Sound On Sound - Munich, Germany; Cambridge Music Technology
Abstract:
Join Focal Press authors for a discussion as to whether project studios really can get professional results. Panelists include Mike Senior, Mixing Secrets for the Small Studio; Will Pirkle, Designing Audio Effect Plugins in C++; William Moylan, Understanding and Crafting the Mix; and Jay Kadis, The Science of Sound Recording.
Saturday, October 27, 10:00 am — 11:00 am (Room 114)
Audio Industry Seminar: The Art of Sound Design for Trailers and Games
Presenter:Charles Deenen, Electronic Arts - Los Angeles, CA, USA
Abstract:
PMC "Masters of Audio" Series
Charles will give us a demonstration on "Sound Design for Trailers & Games." Sound design is one of most important and fun aspects of audio post and Charles will be sharing his wealth of experience and knowledge on the subject.
In a career that has spanned more than twenty-five years, Charles has leant his hand to over 200 games, numerous films, and almost a hundred (film) trailers.
He's worked on sound design for many feature films including two Fast and Furious films, among others. This work translated into a passion for fast cars, loud sound, and the ultimate pursuit of emotionally engaging audio. In 2003 he started at Electronic Arts to oversee audio on the Racing franchises. Alongside long-format sound design, Charles continues to contribute to Hollywood’s trailer advertising arm. After having been a Sr. Audio Director at Electronic Arts until 2011, he's now working on Trailer Design at EA, expanding his horizon.
Saturday, October 27, 10:30 am — 11:00 am (Room 112)
Audio Industry Seminar: The China Audio & Video Engineering Group
Abstract:
Discussion on Speech Intelligibility Improved by Electroacoustic Systems.
Saturday, October 27, 11:00 am — 12:00 pm (Room 112)
Audio Industry Seminar: Tagai EX-Port Ltd.
Presenter:Péter Tagai, Tagai EX-Port Ltd.
Abstract:
Introduction, World Premiere! Revolution of Audio! What Is Solitone?
Solitone is a revolutionary technology. If you want to be a witness of revolution of audio, you must be there! Answers for: AC or DC, analog or digital, balanced or unbalanced, grounding or non grounding, PC, DAW or something else, software or hardware, the origin of the hum, buzz, and noise in any system. Audio-related problems will be explained and solved by the Solitone technology. Also, a brief overview the whole audio chain through Solitone, starting with AC power, mics, and up to the speaker drivers.
Saturday, October 27, 11:00 am — 12:00 pm (Proj St EX)
Project Studio Expo: PSE1 - It Won't Sound Right If You Don't Hear It Right
Studio Acoustics, Monitoring & Critical Listening
Presenter:Hugh Robjohns, Technical Editor, Sound on Sound - Crowle, UK
Abstract:
It Won't Sound Right If You Don't Hear It Right: Studio Acoustics, Monitoring & Critical Listening
The monitoring environment acoustics and the monitoring loudspeakers are critical links in every music production chain. Any weaknesses impact negatively not only on the overall quality of mixes but also on the confidence and ability of the user to assess and process audio material efficiently and effectively. This workshop examines the theoretical requirements and practical optimization of high-quality monitoring systems for home and project studios, drawing on the author’s experiences in the "Studio SOS" series published in Sound On Sound magazine. It will also explore choosing new monitoring loudspeakers, optimizing control room acoustics, and honing critical listening skills.
Saturday, October 27, 11:15 am — 12:30 pm (Room 134)
Special Event: Legendary Artists: Sounds of San Francisco
Moderator:(David Goggin) Mr Bonzai, Communication Arcs - Hollywood, CA, USA
Panelists:
Peter Albin, Big Brother and the Holding Company
Mario Cipollina, Huey Lewis and The News
Country Joe McDonald, Country Joe and the Fish - Berkeley, CA, USA
Joel Selvin
Abstract:
Award-winning photographer, journalist, and author Mr Bonzai (David Goggin) moderates a panel of leading musical luminaries in a panel discussion looking into the world-renowned SF Sound from the early days to today.
Big Brother and the Holding Company, Country Joe and the Fish, Huey Lewis and The News—they defined a lifestyle and a spirit that is very much alive today. Peter Albin, Country Joe McDonald, Mario Cipollina, and Bay Area historian/journalist Joel Selvin share insights of performance, the recording craft, and keys to the creative process.
Saturday, October 27, 12:00 pm — 1:00 pm (Proj St EX)
Project Studio Expo: PSE2 - Total Tracking: Get It Right At Source
Choosing & Recording Your Sound Source
Presenters:Hugh Robjohns, Technical Editor, Sound on Sound - Crowle, UK
Bill Gibson, Hal Leonard Performing Arts Publishing Group - Seattle, WA, USA; The Art Institute of Seattle
Abstract:
Total Tracking: Get It Right At Source: Choosing & Recording Your Sound Source
The astonishing and ever-improving power and versatility of digital signal processing plug-ins for computer audio workstations has encouraged the widespread belief that everything can be "fixed in the mix"— and in many cases, of course, it can. However, this approach is always extremely time-consuming and the results aren’t always perfect. It is often much faster, and with far more satisfying results, to get the right sound from the outset by careful selection of the source and appropriate microphone selection and positioning. This workshop will explore a wide variety of examples, analyzing the requirements and discussing practical techniques of optimising source recordings.
Saturday, October 27, 12:30 pm — 2:30 pm (Room 112)
Audio Industry Seminar: Lectrosonics
Presenters:Suzanna Bailey, American Conservatory Theater
Karl Winkler, Lectrosonics - Rio Rancho, NM, USA
Abstract:
Optimizing Your Wireless Microphone Systems for the Real World
This workshop aims to provide attendees with a range of tools and concepts involved with getting the most out their wireless mic systems. Experience shows that proper planning, system design, and audio basics go a long way toward success in this area. Topics covered will be the spectrum environment, transmitter placement, gain structure, band planning & frequency coordination, antenna systems, and lavaliere microphone dressing.
Saturday, October 27, 12:30 pm — 2:00 pm (Foyer)
Student / Career: SC3 - Education and Career/Job Fair
Abstract:
The combined AES 133 Education and Career Fair will match job seekers with companies and prospective students with schools.
Companies
Looking for the best and brightest minds in the audio world? No place will have more of them assembled than the 133rd Convention of the Audio Engineering Society. Companies are invited to participate in our Education and Career Fair, free of charge. This is the perfect chance to identify your ideal new hires!
All attendees of the convention, students and professionals alike, are welcome to come visit with representatives from participating companies to find out more about job and internship opportunities in the audio industry. Bring your resume!
Companies sign up by clicking here!
Schools
One of the best reasons to attend AES conventions is the opportunity to make important connections with your fellow educators from around the globe. Academic Institutions offering studies in audio (from short courses to graduate degrees) will be represented in a "table top" session. Information on each school's respective programs will be made available through displays and academic guidance. There is no charge for schools/institutions to participate. Admission is free and open to all convention attendees.
Schools sign up by clicking here!
Saturday, October 27, 1:00 pm — 1:30 pm (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Saturday, October 27, 1:00 pm — 2:00 pm (Room 114)
Audio Industry Seminar: The Collaborative Mix; Session Prep and Pre-Mix
Presenters:Justin Hergett
James Krausse
Tony Maserati
Abstract:
PMC "Masters of Audio" series
Since they can’t have everyone over to their studio, multi Grammy-winning engineer/producer Tony Maserati (Mary J Blige, David Bowie, Usher, Puff Daddy, Notorious BIG, Jay-Z, R Kelly, Maxwell, Destiny's Child, Jennifer Lopez, Alicia Keys) will be joined by his team Outfit 27.
Outfit27 consists of Ron “Spider “ Entwistle (GOTYE, Knife Party), Justin Hergett (Jason Mraz, Lady Gaga) , Chris Tabron (John Legend, Santigold), and Jon Castelli (GOTYE, Lady Gaga), and Tony.
Together they will present 3 sessions (Session Prep/Premix, Additional Production, and Mix-down) in which they will take a song from concept to final print and all “in the box.” During these sessions they will actually prep, tweak, and mix a track in front of the students complete with commentary as is customary at their place.
The ultimate opportunity to see Tony and his crew at work!!
Saturday, October 27, 1:00 pm — 2:00 pm (Proj St EX)
Project Studio Expo: PSE3 - Mixing Secrets: Production Tricks to Use with Any DAW
Presenter:Mike Senior, Sound On Sound - Munich, Germany; Cambridge Music Technology
Abstract:
Affordable DAW software now provides all the processing tools you need to create commercially competitive music mixes within a home, college, or project studio. As such, the overriding concern for budget-conscious engineers these days should be to develop effective habits with regard to studio monitoring, mix balancing, and quality control. Important techniques in each of these three areas are often neglected in small-scale productions, leading to mixes that don't stack up against professional releases, or that collapse on some mass-market listening systems. In this seminar, Sound On Sound magazine's "Mix Rescue" columnist Mike Senior will draw on his experience of thousands of project-studio mixes to highlight the most frequently overlooked studio tricks. In the process he'll demonstrate how these methods can powerfully upgrade your sonics without breaking the bank, no matter which DAW you're using.
Saturday, October 27, 1:30 pm — 2:00 pm (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Saturday, October 27, 2:00 pm — 3:30 pm (Room 134)
Special Event: Grammy SoundTable
Moderator:Ed Cherney, Edward Cherney Company - Venice, CA, USA
Panelists:
Ryan Hewitt, Nice Rack Audio Services - Venice, CA, USA
Leslie Ann Jones, Skywalker Sound - San Rafael, CA, USA
Dave Pensado
Salaam Remi
Elliot Scheiner
Abstract:
Sonic Imprints: Songs That Changed My Life—Part 3
Some songs are hits, some we just love, and some have changed our lives. Our panelists break down the DNA of their favorite tracks and explain what moved them, what grabbed them, and why these songs left a life-long impression. Back by popular demand, this Special Event is guaranteed to make you feel good about being in the recording business.
Saturday, October 27, 2:00 pm — 2:30 pm (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Saturday, October 27, 2:00 pm — 3:00 pm (Proj St EX)
Project Studio Expo: PSE4 - Master Your Tracks: DIY Results to Compete with the Pros
Presenter:Craig Anderton, Harmony Central / Electronic Musician - Santa Fe, NM, USA
Abstract:
Mastering is the final step prior to duplication and, as such, represents the last opportunity to make any final tweaks to a piece of music for highest sonic quality—and maximum transportability among playback systems. Traditionally, musicians have used professional mastering engineers in order to take advantage of their experience and ears, but in today’s tight economy—and with the advent of tools that allow for “do-it-yourself” mastering—many musicians are choosing to do their own mastering. This workshop describes the pitfalls and advantages of “project mastering” as well as the main mistakes to avoid but primarily emphasizes practical techniques that can bring out the very best in a piece of music. It also covers the process of album assembly and how to make sure the music in a collection or album provides a smooth, cohesive listening experience.
Saturday, October 27, 2:15 pm — 3:00 pm (Room 114)
Audio Industry Seminar: Music from Teena Marie
Presenter:Erik Zobler, ZOBIZ - Porter Ranch, Los Angeles, CA, USA
Abstract:
PMC "Masters of Audio" Series
Multi Grammy winner Zobler has engineered and mixed hundreds of albums, DVDs, and TV and film scores. He is also a mastering engineer, front-of-house live sound mixer, and a writer for Mix Magazine. His credits include Miles Davis, Natalie Cole, Whitney Houston, Gladys Knight, Anita Baker, Sarah Vaughan, Al Jarreau, Stanley Clarke, Esparanza Spaulding, Bob James, Teena Marie, George Duke, and many more.
Erik will be showing some of his latest projects from Teena Marie, Jeffrey Osborne, and a 5.1 surprise from Frank Zappa
Saturday, October 27, 2:30 pm — 3:00 pm (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Saturday, October 27, 3:00 pm — 3:30 pm (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Saturday, October 27, 3:00 pm — 4:00 pm (Room 112)
Audio Industry Seminar: M-Audio
Presenters:Hiro Shimozato
Young Guru, Roc Nation - Brooklyn, NY
Craig Anderton, Harmony Central / Electronic Musician - Santa Fe, NM, USA
Abstract:
Empowering Musicians as Non-Technicians. Is the Role of an Audio Engineer Destined for Extinction?
As technology redefines how musicians create and perform music, the aspirations of musicians operating without creative limitations and technical dependencies grows. The delineation between musical instrument and recording technology disappears as more music creation tools take on audio production capabilities. Akai Professional, M-Audio, and other inMusic brands along with special guest panelists will address this topic.
Saturday, October 27, 3:00 pm — 4:00 pm (Proj St EX)
Project Studio Expo: PSE5 - You Ask, We Answer
Presenters:Joe McGrath, SAE Institute
Hugh Robjohns, Technical Editor, Sound on Sound - Crowle, UK
Mike Senior, Sound On Sound - Munich, Germany; Cambridge Music Technology
Paul White, Sound On Sound - Malvern, Worcestershire, UK
Abstract:
Panel discussion with industry pros on topics of special interest to attendees.
Saturday, October 27, 3:30 pm — 4:00 pm (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Saturday, October 27, 3:30 pm — 4:15 pm (Room 114)
Audio Industry Seminar: Wisseloord Studios
Presenter:Jochen Veith
Abstract:
PMC "Masters of Audio" series
Every (home) studio will have its fair share of acoustical problems. World renowned German acoustician Jochen Veith (JV-Acoustics) will give you some insights into acoustics through a case study of one of his latest projects: the famous Wisseloord Studios in The Netherlands.
Jochen has designed hundreds of mixing, recording, movie and broadcast studios over the last 20 years for major studios and artists throughout the world including Coldplay, Metropolis Studios London, Max Martin Stockholm, Walt Disney, Koch International, BMG Ariola, Wisseloord Studios, NBC Universal, and many more.
Saturday, October 27, 4:00 pm — 4:30 pm (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Saturday, October 27, 4:00 pm — 5:00 pm (Room 112)
Audio Industry Seminar: Solitone 2
Presenter:Péter Tagai, Tagai EX-Port Ltd.
Abstract:
The Way of Audio’s Future. How to Make a Profit with Solitone
This session is mainly for investors, but everyone is welcome who wants see what the possibilities are in Solitone. The benefits of this technology and the areas where it can be used where the most profit can be made will also be explained. We have also calculated the R/R ratio. The technology is ready for launch!
Saturday, October 27, 4:00 pm — 5:00 pm (Proj St EX)
Project Studio Expo: PSE6 - Take Your Studio On Stage
Live Performance with Laptops, Looping Pedals, & Other Studio Techniques
Presenter:Craig Anderton, Harmony Central / Electronic Musician - Santa Fe, NM, USA
Abstract:
Take Your Studio On Stage: Live Performance with Laptops, Looping Pedals, & Other Studio Techniques
For many musicians, as well as DJs and electronic acts, a 21st century live performance requires much more than just a mixer and a bunch of amps. This workshop takes a practical look at how to use technology on stage without being overwhelmed by it, ways to insure a smooth performance, and includes invaluable information on the “care and feeding” of laptops to insure optimum performance—and uninterrupted performances. Other topics include using controllers for a more vibrant live performance, performing with Ableton Live and dedicated control surfaces, improvisation with looping pedals and DAW software, and the evolution of DJ controller/laptop combinations into tools for a musical, complex new art form.
Saturday, October 27, 4:30 pm — 5:00 pm (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Saturday, October 27, 4:30 pm — 5:30 pm (Room 114)
Audio Industry Seminar: The Collaborative Mix; Additional Production
Presenters:Jon Castelli
Tony Maserati
Abstract:
PMC "Masters of Audio" series
Since they can’t have everyone over to their studio, multi Grammy-winning engineer/producer Tony Maserati (Mary J Blige, David Bowie, Usher, Puff Daddy, Notorious BIG, Jay-Z, R Kelly, Maxwell, Destiny's Child, Jennifer Lopez, Alicia Keys) will be joined by his team Outfit 27.
Outfit27 consists of Ron “Spider “ Entwistle (GOTYE, Knife Party), Justin Hergett (Jason Mraz, Lady Gaga) , Chris Tabron (John Legend, Santigold), and Jon Castelli (GOTYE, Lady Gaga), and Tony.
Together they will present 3 sessions (Session Prep/Premix, Additional Production, and Mix-down) in which they will take a song from concept to final print and all “in the box.” During these sessions they will actually prep, tweak, and mix a track in front of the students complete with commentary as is customary at their place.
The ultimate opportunity to see Tony and his crew at work!!
Saturday, October 27, 5:00 pm — 5:30 pm (Room 112)
Audio Industry Seminar: The China Audio & Video Engineering Group
Abstract:
Application of Professional Loudspeakers with Ultra Thin Depth
Saturday, October 27, 5:00 pm — 6:00 pm (Proj St EX)
Project Studio Expo: Young Guru
Presenter:Young Guru, Roc Nation - Brooklyn, NY
Abstract:
M-Audio/Akai Professional Present: Young Guru
Saturday, October 27, 6:30 pm — 8:00 pm (Room 134)
Special Event: Heyser Lecture
followed by
Technical Council
Reception
Presenter:James Johnston, Retired - Redmond, WA, USA
Abstract:
The Richard C. Heyser distinguished lecturer for the 133rd AES Convention is James D. (jj) Johnston. The title of his lecture is, "Audio, Radio, Acoustics, and Signal Processing-the Way Forward." In this talk, Johnston will discuss our present understanding of human auditory perception, pointing out how the way we actually work encourages a dichotomy of knowledge that no longer exists. He will go on to suggest some ways that education can bring artistic and technical approaches together, apply some of the technical things we know on the artistic side, and learn what the artistic side of the business needs and wants. He proposes to address such issues as “mix buss performance” claims and the performance of various processors (which are quite nonlinear, for good reason). It is his hope that we can continue to push the understanding of perception, which should help create the “really here” immersive understanding that is the goal of the realists, the “you could never be here but you wish you could” sensation of the avant-garde, and encourage the delivery systems of the world to “get with the program.”
You can read more about the Richard C. Heyser Memorial Lecture Series on the Technical Council website.
Saturday, October 27, 8:00 pm — 9:00 pm (Room 131)
Special Event: Poe—A Life and Stories in Sound
Presenter:Phil Proctor, Firesign Theater
Abstract:
Starring Phil Proctor of the Firesign Theater as Edgar Allen Poe, this one hour live audio drama performance will highlight Poe's life and stories in sound. Featuring scenes from Poe's most famous short stories and "moments" in his life this presentation will feature actors, live sound effects artists, recorded effects, and original music to bring to life Poe and his works.
The evening will feature the actor Phil Proctor (Firesign Theatre / Crazy Dog Audio Theater / Animation for Disney, etc.) as Edgar sharing moments from his life which led to writing works like "The Tell Tale Heart," "The Cask of Amontillado," and many others. In addition to Phil the cast will include voice actors Melinda Peterson, Lucien Dodge, and possibly one more actor who will help to bring to life Edgar's stories.
Produced and directed by award winning audio dramatist Sue Zizza with sound design by David Shinn of SueMedia Productions.
Sunday, October 28, 10:00 am — 6:00 pm (Exhibition)
Exhibit: Exhibition
Abstract:
Leave plenty of time to walk the exhibits floor so you can learn about the latest products and technologies, scope out your competitors, or simply drool over the latest toys.
Sunday, October 28, 10:15 am — 11:00 am (Room 114)
Audio Industry Seminar: PMC Playback Sessions
Abstract:
PMC "Masters of Audio" series PMC Playback Sessions
Sunday, October 28, 10:30 am — 12:00 pm (Room 112)
Audio Industry Seminar: The METAlliance Presented by Sanken Studio Mics
Presenters:Chuck Ainlay
Ed Cherney, Edward Cherney Company - Venice, CA, USA
Frank Filipetti
George Massenburg, Schulich School of Music, McGill University - Montreal, Quebec, Canada
Phil Ramone
Elliot Scheiner
Al Schmitt, Los Angeles, CA, USA
Abstract:
The METAlliance will discuss the current opportunities for improvement in audio quality. All attendees are welcome to join us in this informal meet-and-greet atmosphere and participate in this industry forum.
Sunday, October 28, 10:45 am — 12:15 pm (Room 120)
Special Event: Double Yer Money! ... An Hour that Could Change Your Earning Prospects Forever
Presenter:Peter Filleul, APRS - UK - London, UK; Music Producers' Guild - London, UK
Abstract:
Presentations and discussion that looks at the implications of recording in countries that enjoy neighbouring rights and revenues. Explore how recording in the UK can entitle performers (and producers) to significant streams of revenue. Hear the latest developments at PPL (the collection society in the UK) that smooth the way for claims from “Eligible Studio Producers” who record in the UK and have the criteria that PPL have identified that will enable a studio producer to make a claim explained. How will this effect U.S. and UK recording studios? Will UK studios, keen to attract work from the USA, have a special competitive edge on their U.S. counterparts? How will the new WIPO Audio Visual Performances Treaty impact on performer revenues in the USA—and when? Will these economic realities add leverage to efforts to acquire similar terrestrial rights in the USA.?
This Special Event will be conducted by Producer Rights activist and Chairman of the European Sound Directors' Association, Peter Filleul and attended by key P&E Wing council members and will include an A/V presentation and Q&A session.
Sunday, October 28, 11:00 am — 11:30 am (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Sunday, October 28, 11:00 am — 12:00 pm (Proj St EX)
Project Studio Expo: PSE7 - Keeping the Human Element in the Digital Age
Presenter:Craig Anderton, Harmony Central / Electronic Musician - Santa Fe, NM, USA
Abstract:
Ways to keep music sounding alive and interesting
Sunday, October 28, 11:15 am — 12:30 pm (Room 114)
Audio Industry Seminar: The Collaborative Mix: Mixdown with Tony Maserati
Presenter:Tony Maserati
Abstract:
PMC "Masters of Audio" series
Since they can’t have everyone over to their studio, multi Grammy-winning engineer/producer Tony Maserati (Mary J Blige, David Bowie, Usher, Puff Daddy, Notorious BIG, Jay-Z, R Kelly, Maxwell, Destiny's Child, Jennifer Lopez, Alicia Keys) will be joined by his team Outfit 27.
Outfit27 consists of Ron “Spider “ Entwistle (GOTYE, Knife Party), Justin Hergett (Jason Mraz, Lady Gaga) , Chris Tabron (John Legend, Santigold), and Jon Castelli (GOTYE, Lady Gaga), and Tony.
Together they will present 3 sessions (Session Prep/Premix, Additional Production, and Mix-down) in which they will take a song from concept to final print and all “in the box.” During these sessions they will actually prep, tweak, and mix a track in front of the students complete with commentary as is customary at their place.
The ultimate opportunity to see Tony and his crew at work!!
Sunday, October 28, 11:30 am — 12:00 pm (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Sunday, October 28, 12:00 pm — 1:00 pm (Room 112)
Audio Industry Seminar: Dan Dugan
Presenter:Dan Dugan, Dan Dugan Sound Design - San Francisco, CA, USA; Nature Sounds Society
Abstract:
Features and Applications of Dugan Automatic Mixers
Dan will present a brief tutorial on the history and theory of automatic mic mixing. He will explain the application of the various features of his current Model E-1A, Model D-2, Model E-3, and Dugan-MY16 automatic mixing controllers.
Sunday, October 28, 12:00 pm — 12:30 pm (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Sunday, October 28, 12:00 pm — 1:00 pm (Proj St EX)
Project Studio Expo: PSE8 - Total Tracking: Get It Right At Source
Choosing & Recording Your Sound Source
Presenters:Bill Gibson, Hal Leonard Performing Arts Publishing Group - Seattle, WA, USA; The Art Institute of Seattle
Hugh Robjohns, Technical Editor, Sound on Sound - Crowle, UK
Abstract:
Total Tracking: Get It Right At Source: Choosing & Recording Your Sound Source
The astonishing and ever-improving power and versatility of digital signal processing plug-ins for computer audio workstations has encouraged the widespread belief that everything can be "fixed in the mix"—and in many cases, of course, it can. However, this approach is always extremely time-consuming and the results aren’t always perfect. It is often much faster, and with far more satisfying results, to get the right sound from the outset by careful selection of the source and appropriate microphone selection and positioning. This workshop will explore a wide variety of examples, analysing the requirements and discussing practical techniques of optimising source recordings.
Sunday, October 28, 12:30 pm — 1:00 pm (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Sunday, October 28, 1:00 pm — 3:00 pm (Room 112)
Audio Industry Seminar: Audio Precision (3 Sess.)
Presenters:Dan Foley, Audio Precision - Worcester, MA, USA
Christopher Gill, Audio Precision - Oakland, CA, USA
Jonathan Novick, Audio Precision - Camarillo, CA, USA
Abstract:
Choose Wisely: Selecting the Right Audio Test Technique for the Job
Audio Precision’s FAEs will discuss proper grounding technique before looking at the merits of different audio test approaches (including stepped sine, continuous sweep, multitone, and objective perceptual evaluation) as they apply to high performance converters, acoustic transducers and devices handling encoded audio.
There will be three 45-minute sessions running consecutively.
Sunday, October 28, 1:00 pm — 2:00 pm (Proj St EX)
Project Studio Expo: PSE9 - Mixing Secrets: Production Tricks to Use with Any DAW
Presenter:Mike Senior, Sound On Sound - Munich, Germany; Cambridge Music Technology
Abstract:
Affordable DAW software now provides all the processing tools you need to create commercially competitive music mixes within a home, college, or project studio. As such, the overriding concern for budget-conscious engineers these days should be to develop effective habits with regard to studio monitoring, mix balancing, and quality control. Important techniques in each of these three areas are often neglected in small-scale productions, leading to mixes that don't stack up against professional releases, or that collapse on some mass-market listening systems. In this seminar, Sound On Sound magazine's "Mix Rescue" columnist Mike Senior will draw on his experience of thousands of project-studio mixes to highlight the most frequently overlooked studio tricks. In the process he'll demonstrate how these methods can powerfully upgrade your sonics without breaking the bank, no matter which DAW you're using.
Sunday, October 28, 1:30 pm — 2:30 pm (Room 114)
Audio Industry Seminar: Mastering with Impact
Presenter:Maor Appelbaum, Maor Appelbaum Mastering - Los Angeles, CA, USA
Abstract:
PMC "Masters of Audio" Series
Maor Appelbaum is a mastering engineer and musician. After working as staff engineer (mixing, recording, and mastering) for famed record producer Sylvia Massy Shivy at Radiostar Studios in Weed, California, Maor moved to Los Angeles where he opened his private mastering suite.
To Maor, being a mastering engineer is the best way possible to combine his love and passion for music, with his various skills- objectivity, subjectivity, and technical & artistic prowess. He finds pleasure in his job, more than anything, thanks to the variety of music and sounds he gets to master from all over the world. It is a profession he takes pride in, and masters. He will share this passion with you!
Sunday, October 28, 1:30 pm — 3:00 pm (Room 134)
Special Event: Platinum Producers and Engineers
Moderator:Michael Romanowski, Michael Romanowski Mastering - San Francisco, CA, USA
Panelists:
Jack Douglas
Narada Michael Walden
Young Guru, Roc Nation - Brooklyn, NY
Abstract:
President of the NARAS Board of Governors and mastering ace Michael Romanowski moderates a superstar panel of world-renowned producers and engineers who have inspired and produced some of today’s most memorable and iconic recordings. Participants will discuss the creative recording and mixing techniques they’ve developed, playing samples of their work to illustrate their most successful collaborations. They will reminisce about their most memorable moments in the studio and talk about what it's like to work with artists over an impressively wide variety of genres including rock, jazz, pop, hip hop, R&B and fusion. Finally, they will reflect on how the recording process has changed over the years and how it has affected their creativity in the studio.
Sunday, October 28, 2:00 pm — 3:00 pm (Proj St EX)
Project Studio Expo: PSE10 - Master Your Tracks: DIY Results to Compete with the Pros
Presenter:Craig Anderton, Harmony Central / Electronic Musician - Santa Fe, NM, USA
Abstract:
Mastering is the final step prior to duplication and, as such, represents the last opportunity to make any final tweaks to a piece of music for highest sonic quality—and maximum transportability among playback systems. Traditionally, musicians have used professional mastering engineers in order to take advantage of their experience and ears, but in today’s tight economy—and with the advent of tools that allow for “do-it-yourself” mastering—many musicians are choosing to do their own mastering. This workshop describes the pitfalls and advantages of “project mastering” as well as the main mistakes to avoid but primarily emphasizes practical techniques that can bring out the very best in a piece of music. It also covers the process of album assembly and how to make sure the music in a collection or album provides a smooth, cohesive listening experience.
Sunday, October 28, 2:30 pm — 3:30 pm (Room 114)
Audio Industry Seminar: Advanced Music Production
Presenter:Ross Hogarth
Abstract:
PMC "Masters of Audio" Series
Join Ross in the Audio Masters room for an in-depth discussion and demonstration of some of Ross' favorite tools. He will be sharing his 30+ years of experience and knowledge in music and pro audio, so please come pick his brain!
Gov’t Mule, Roger Waters, The Black Crowes, Shawn Colvin, John Mellencamp, R.E.M., and Jewel are some of the artists this double Grammy-winning producer/engineer/mixer has had the joy of working with over his two-plus decades in the recording studio. Ross’ wide varied experience and taste opened up all creative doors and usual and unusual possibilities. Versatility, absolute belief in the artists’ vision, and his complete commitment to bringing that vision to the final master are all representative of Ross’ strengths and abilities. In the ever changing world of the arts, Ross’s goal is to let creativity be the place of certainty that allows for constant change.
Sunday, October 28, 3:00 pm — 4:00 pm (Room 112)
Audio Industry Seminar: Interfacing Digitally Controlled Microphone Preamplifiers to A/D Converters
Presenters:Gary Hebert, That Corp. - Milford, MA, USA
Joe Lemanski, THAT Corporation - Milford, MA, USA
Abstract:
This seminar examines practical designs for a digitally controlled microphone preamplifier driving typical modern audio A/D converters. Topics covered include maximizing the available A/D converter dynamic range, achieving the desired preamp gain range, and implementing digitally controlled switching of pads and phantom power.
Sunday, October 28, 3:00 pm — 3:30 pm (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Sunday, October 28, 3:00 pm — 4:00 pm (Proj St EX)
Project Studio Expo: PSE11 - Make Music with Your iPad
Hot Apps, Great Gadgets & All Things iOS
Presenter:Mike Metlay, RECORDING Magazine - Boulder, CO, USA
Abstract:
Make Music With Your iPad: Hot Apps, Great Gadgets & All Things iOS
In this seminar we will look at hardware and software for music production on iOS devices, with an emphasis on the iPad. A number of worthwhile interface products and apps will be demonstrated for the audience, and there will be an in-depth discussion of the advantages and pitfalls of working with iOS in the studio. There will be material for beginners curious about the iPad as well as some advanced tips and tricks for experienced users.
Sunday, October 28, 3:30 pm — 4:00 pm (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Sunday, October 28, 3:30 pm — 5:00 pm (Room 134)
Special Event: Platinum Mastering: Mastered for iTunes
Moderator:Bob Ludwig, Gateway Mastering Studios, Inc. - Portland, ME, USA
Panelists:
Eric Boulanger, The Mastering Lab - Ojai, CA, USA
Robert Katz, Digital Domain Mastering - Orlando, FL, USA
Abstract:
Mastering Apple Inc.'s "Mastered for iTunes" Initiative, the Science, the Procedures and the Results
Apple's iTunes Store is the largest music vendor in the world. Last year, with the introduction of Colbie Caillat's All of You download, they began selling higher fidelity AAC encodes for no additional cost to the consumer. Some mastering and recording engineers have misunderstood what it is about and there has been a surprising amount of negative and incorrect press about what it does and does not do. Observing Apple's market share, the new procedure should be understood by every mastering engineer. The Apple "Mastered for iTunes" initiative is based on 100% solid science and it can sometimes yield AAC encodes so close to the 44-kHz/24 bit PCM encode masters that many have failed an A-B-X listening test. Please come and find out all there is to know and ask questions.
Sunday, October 28, 4:00 pm — 4:30 pm (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Sunday, October 28, 4:00 pm — 5:00 pm (Room 114)
Audio Industry Seminar: PMC Playback Sessions
Abstract:
PMC "Masters of Audio" series PMC Playback Sessions
Sunday, October 28, 4:00 pm — 5:00 pm (Room 112)
Audio Industry Seminar: Studio Six
Presenter:Andrew Smith
Abstract:
Using iOS Devices for Audio Test and Measurement
This seminar explores the current state-of-the-art measurement tools in audio acoustics: using the AudioTools app, iAudioInterface2, and iTestMic from Studio Six Digital. AudioTools includes a wide variety of acoustical analysis and audio test measurement modules, including SPL, RTA, FFT, Smaart Tools single channel, the Studio Six Transfer Function, and line level test functions.
Sunday, October 28, 4:00 pm — 5:00 pm (Proj St EX)
Project Studio Expo: PSE12 - Ask the Editors: Q&A Session
Presenters:Craig Anderton, Harmony Central / Electronic Musician - Santa Fe, NM, USA
Strother Bullins, Pro Audio Review magazine - North Carolina
Larry Crane
Sarah Jones, Electronic Musician magazine - San Bruno, CA, USA
Tom Kenny
Mike Metlay, RECORDING Magazine - Boulder, CO, USA
Hugh Robjohns, Technical Editor, Sound on Sound - Crowle, UK
Frank Wells, Pro Sound News - Murfreesboro, TN, USA
Paul White, Sound On Sound - Malvern, Worcestershire, UK
Abstract:
Panel discussion with industry pros on topics of special interest to attendees.
Sunday, October 28, 4:30 pm — 5:00 pm (Room 110)
Audio Industry Seminar: JBL
Presenters:Peter Chaikin, JBL Professional - Northridge, CA, USA
Allan Devantier, Harman International - Northridge, CA, USA
Charles Sprinkle, Harman International - Simi Valley, CA, USA
Abstract:
"Big Sound" in Small and Medium Size Rooms: Next-Gen Transducer, Acoustic and Electronic Technologies Make High-Performance, Large Format Monitoring Accessible To A Broad Range of Rooms
To date, space, acoustic and budgetary limitations have prevented smaller rooms from enjoying the high output, detailed monitoring experience of the large control room. For these rooms, near field monitors are the fall back solution. At AES, JBL Professional previews a large-format monitoring system in a form-factor that makes large format monitoring a viable option for project studios and small mix rooms. We will discuss the enabling technologies and demonstrate the system.
Sunday, October 28, 5:00 pm — 6:00 pm (Proj St EX)
Project Studio Expo: MIDI Makes Music: Celebrating 30 Years of MIDI
Abstract:
The MIDI Manufacturers Association Presents “MIDI Makes Music: Celebrating 30 Years of MIDI”
In 2013, the MIDI Manufacturers Association will bring together the world's top digital music companies to recognize and celebrate the 30th anniversary of the invention of MIDI technology. MIDI dramatically changed music-making 30 years ago—and it remains a key technology for music-making today. Come and get a sneak-preview of how the MMA will celebrate this important milestone and hear from some of the people who were there from the beginning. Also learn how the standard evolved over the past three decades and see what's next for MIDI technology.
Sunday, October 28, 6:30 pm — 9:00 pm (Room 134)
Special Event: Wrecking Crew Film & Q&A
6:30 pm - 9:00 pm
Abstract:
The Wrecking Crew were a group of Los Angeles-based studio musicians in the 1960s who played on hits for the Beach Boys, Frank Sinatra, Nancy Sinatra, Sonny and Cher, Jan & Dean, The Monkees, Gary Lewis and the Playboys, Mamas and Papas, Tijuana Brass, Ricky Nelson, Johnny Rivers, and were Phil Spector's Wall of Sound. Behind every recording was an elite group of engineers, using groundbreaking and innovative techniques to capture the distinct sound of the musicians. With more Gold and Platinum credits than The Beatles, The Rolling Stones, Elvis, and Elton combined, “The Wrecking Crew,” is the most storied, yet anonymous group in recording history.
Produced and directed by Denny Tedesco, son of legendary late Wrecking Crew guitarist Tommy Tedesco, this elusive yet highly praised documentary film features interviews with Brian Wilson, Cher, Roger McGuinn, and many Wrecking Crew members, including Glen Campbell, a durable superstar, in his own right. Tedesco and special guest Don Randi will hold a Q&A following the screening.
Watch a trailer here: http://www.youtube.com/watch?v=-xs2kJn6PBE
Monday, October 29, 9:45 am — 10:45 am (Room 114)
Audio Industry Seminar: Mixing and Recording the San Francisco Symphony
Presenter:Jack Vad
Abstract:
PMC "Masters of Audio" Series
Grammy nominated producer/engineer Jack Vad has over 200 commercial classical audio releases for the biggest labels including following companies: BMG Classics, Harmonia Mundi, Koch International and many others. Since 1989 Jack is the Media Producer/Chief Engineer for the San Francisco Symphony and is responsible for both the music content and audio presentation of all the PBS/DVD/BD series including “Keeping Score” and any other high resolution audio-only productions.
In addition to these activities, Mr. Vad is involved in the research and development of multichannel audio recording techniques, audio-for-video methodology, and practical listening room acoustic enhancements. Jack will be sharing some of the latest high resolution recordings with us, both in stereo and surround.
Monday, October 29, 10:00 am — 4:00 pm (Exhibition)
Exhibit: Exhibition
Abstract:
Leave plenty of time to walk the exhibits floor so you can learn about the latest products and technologies, scope out your competitors, or simply drool over the latest toys.
Monday, October 29, 11:00 am — 12:00 pm (Room 133)
Special Event: Delivering Audio Innovation to the Audience
Presenter:Rupert Brun, BBC Audio & Music - London, UK
Abstract:
Since 1960 TV has gone color, widescreen, HD, and even 3-D but the audio experience of listening to the radio hasn't changed much since stereo was introduced in the late 1950s. Head of Technology for BBC Audio & Music Rupert Brun will explain how and why he has delivered audience facing innovation for radio listeners in the UK over the last 3 years. He will focus on 3 examples: Wide dynamic range (by radio standards) classical music, dialog enhancement for those with a hearing disability, and rendered binaural music and drama including surround sound derived from archive (co-incident pair) stereo recordings. Rupert will discuss the importance of working across organizational boundaries and of partnerships with other organizations and touch on the use of Twitter to gain real-time feedback, allowing an idea to be adjusted to meet the needs of the audience and turned from experiment to permanent service in just a few months.
Monday, October 29, 11:00 am — 12:00 pm (Room 112)
Audio Industry Seminar: Spectra Sonics
Presenters:William C. Cheney
James J. Romney
Abstract:
Spectra Sonics: Analog History, Digital Future
A presentation that will review the history of Spectra Sonics, including discrete analog innovation of the 60s and the early product designs that are still considered leading edge technology when measured by the standards of today. A brief overview of several new discrete analog products that are designed to readily interface with current digital technology will be presented. This will be an informal seminar in which a question/answer format is encouraged.
Monday, October 29, 11:15 am — 12:15 pm (Room 114)
Audio Industry Seminar: 5.1 Mixes
Presenter:Erik Zobler, ZOBIZ - Porter Ranch, Los Angeles, CA, USA
Abstract:
PMC "Masters of Audio" Series
Multi Grammy winner Zobler has engineered and mixed hundreds of albums, DVDs, and TV and film scores. He is also a mastering engineer, front-of-house live sound mixer, and a writer for Mix Magazine. His credits include Miles Davis, Natalie Cole, Whitney Houston, Gladys Knight, Anita Baker, Sarah Vaughan, Al Jarreau, Stanley Clarke, Esparanza Spaulding, Bob James, Teena Marie, George Duke, and many more.
Erik will be showing some of his latest projects from Teena Marie, Jeffrey Osborne, and a 5.1 surprise from Frank Zappa
Monday, October 29, 1:30 pm — 2:30 pm (Room 114)
Audio Industry Seminar: Patricia Barber, The 5.1 Mixes!
Presenter:Jim Anderson, New York University - New York, NY, USA
Abstract:
PMC "Masters of Audio" series
Nine time Grammy winner Jim Anderson is a New York-based recording engineer and producer. Specializing in jazz and acoustic music, he has worked with producers like Bob Belden, Michael Cuscuna, Dr. Mark Feldman, Tommy LiPuma, Delfayo Marsalis, Kazunori Sugiyama, Akira Taguchi, Creed Taylor, among others and has recorded projects for Toshiko Akiyoshi, Patricia Barber, Terence Blanchard, James Carter, Ron Carter, Joe Henderson, J.J. Johnson, Branford Marsalis, Christian McBride, Gonzalo Rubalcaba, Maria Schneider, McCoy Tyner, Phil Woods. In television he has worked with the Muppets and has been the audio producer for "In Performance at the White House" and "The Kennedy Center Gala with the National Symphony" for PBS, among others.
Jim has chaired conventions for the Audio Engineering Society (AES) in New York, received the AES Fellowship Award, and is a Past-President of the AES. Still active in recording, Jim is also a Professor at NYU's Clive Davis Department of Recorded Music and the department's former chair.
Jim will be sharing with us the 5.1 remix of Patricia Barbers “ Modern Cool,” released on Blu Ray Audio Only (Pure Audio).
Monday, October 29, 2:30 pm — 4:30 pm (Room 114)
Audio Industry Seminar: PMC Playback Sessions
Abstract:
PMC "Masters of Audio" series PMC Playback Sessions
