AES Munich 2009: Recording Industry Events
(sound recording, processing, distribution, and sound for film/video and games)
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Thursday, May 7
Thursday, May 7, 09:00 — 11:00
Session T1
A New Downmix Algorithm Optimizing Comb Filter Performance
Thursday, May 7, 09:00 — 11:30
Session P1
Audio for Telecommunications
Thursday, May 7, 09:00 — 11:00
Session W1
Lies, Damn Lies, and Statistics
Thursday, May 7, 09:00 — 11:00
Session T2
An Introduction to Digital Audio Effects
Thursday, May 7, 09:00 — 11:30
Session P2
Audio for Games and Interactive Media
Thursday, May 7, 10:00 — 11:00
Archiving, Restoration, and Digital Libraries
Thursday, May 7, 10:00 — 11:30
Session P3
Recording, Reproduction, and Delivery
Thursday, May 7, 11:00 — 12:00
Coding of Audio Signals
Thursday, May 7, 12:00 — 13:30
Opening Ceremonies
Awards
Keynote Speech
Thursday, May 7, 13:30 — 15:30
Session W2
New Technologies for Audio Over IP
Thursday, May 7, 14:00 — 15:00
Fiber Optics for Audio (Formative Meeting)
Thursday, May 7, 14:00 — 16:00
Session W3
Intelligent Digital Audio Effects
Thursday, May 7, 14:00 — 18:30
Session P4
Recording, Reproduction, and Delivery
Thursday, May 7, 14:00 — 18:00
Session P5
Loudspeakers
Thursday, May 7, 14:00 — 15:30
Session P6
Multichannel Coding
Thursday, May 7, 15:00 — 16:00
Audio for Games
Thursday, May 7, 16:00 — 17:00
Hearing and Hearing Loss Prevention
Thursday, May 7, 16:00 — 18:30
Session W4
Microphones—What to Listen For—What Specs to Look For
Thursday, May 7, 16:30 — 18:30
Session W5
Professional Audio Networking in Sound Reinforcement and Broadcast Applications
Thursday, May 7, 16:30 — 18:00
Session P7
Spatial Audio Processing
Thursday, May 7, 17:00 — 18:00
Semantic Audio Analysis
Thursday, May 7, 17:00 — 18:30
Session T4
The Growing Importance of Mastering in the Home Studio Era
Thursday, May 7, 18:30 — 19:30
Heyser Lecture
followed by
Technical Council
Reception
Friday, May 8
Friday, May 8, 09:00 — 10:00
Spatial Audio
Friday, May 8, 09:00 — 10:30
Session T5
Lipsync in the Latency Age
Friday, May 8, 09:00 — 11:00
Session W6
The Opera Behind the Opera—Challenges and Real World Solutions in Transmissions of Big Opera Productions
Friday, May 8, 10:00 — 11:00
Signal Processing
Friday, May 8, 10:00 — 13:30
Session TT3
Herkulessaal der Residenz
Friday, May 8, 10:30 — 12:00
Session P10
Audio for Telecommunications
Friday, May 8, 11:00 — 12:00
Microphones and Applications
Friday, May 8, 11:00 — 13:30
Session T6
Loudness—Light at the End of the Tunnel
Friday, May 8, 11:30 — 13:30
Session T7
Binaural Audio Technology—History, Current Practice, and Emerging Trends
Friday, May 8, 11:30 — 13:30
Session W8
We Have You Surrounded—Mastering for Multichannel
Friday, May 8, 12:00 — 13:00
Loudspeakers and Headphones
Friday, May 8, 13:00 — 16:30
Session P11
Audio Coding
Friday, May 8, 13:30 — 17:30
Session TT5
Stadtmuseum Musikinstrumente
Friday, May 8, 13:30 — 17:30
Session TT6
Herkulessaal der Residenz
Friday, May 8, 13:30 — 15:00
Session P12
Loudspeakers
Friday, May 8, 14:00 — 15:00
Network Audio Systems
Friday, May 8, 14:00 — 16:00
Session T8
Microphone History
Friday, May 8, 14:00 — 18:30
Session P13
Spatial Audio and Spatial Perception
Friday, May 8, 15:00 — 16:00
Human Factors in Audio Systems
Friday, May 8, 15:00 — 16:30
Session W9
Mixing Sports in 5.1–Part 1
Friday, May 8, 16:30 — 18:30
Session W10
Audio Network Control Protocols
Friday, May 8, 16:30 — 18:30
Session P14
Multichannel Coding
Friday, May 8, 16:30 — 18:00
Session P15
Hearing
Friday, May 8, 17:00 — 18:30
Session W11
Mixing Sports in 5.1–Part 2
Friday, May 8, 17:30 — 18:30
Session T9
Techniques of Audio Localization for Games
Friday, May 8, 19:30 — 21:30
Banquet
Saturday, May 9
Saturday, May 9, 09:00 — 10:00
Audio Recording and Mastering Systems
Saturday, May 9, 09:00 — 11:00
Session W12
Reality Is Not a Recording/A Recording Is Not Reality
Saturday, May 9, 09:00 — 11:30
Session P16
Spatial Rendering–Part 1
Saturday, May 9, 09:30 — 13:30
Session TT7
Bavarian Broadcast System BR Radio
Saturday, May 9, 09:30 — 13:30
Session TT8
Bavarian Broadcast System BR Television
Saturday, May 9, 10:00 — 11:00
High Resolution Audio
Saturday, May 9, 11:30 — 13:00
Session W13
AES 42 Digital Microphones
Saturday, May 9, 12:00 — 13:00
Studio Practices and Production
Saturday, May 9, 13:00 — 14:00
Audio Forensics
Saturday, May 9, 13:30 — 17:30
Session TT9
MSM Production Studios
Saturday, May 9, 13:30 — 17:30
Session TT10
Staatsoper München
Saturday, May 9, 13:30 — 15:30
Session W14
5.1 High Profile Mixing
Saturday, May 9, 14:00 — 15:00
Perception and Subjective Evaluation of Audio Signals
Saturday, May 9, 14:00 — 15:00
Session W15
War on Music
Saturday, May 9, 15:00 — 16:00
Electro Magnetic Compatibility
Saturday, May 9, 15:00 — 18:30
Session P21
Spatial Rendering–Part 2
Saturday, May 9, 15:00 — 18:30
Session P22
Microphones and Headphones
Saturday, May 9, 15:30 — 17:00
Career/Job Fair
Saturday, May 9, 16:00 — 18:30
Session W17
Sound Design for Die Fälscher
Saturday, May 9, 16:30 — 18:00
Session P23
Psychoacoustics and Perception
Saturday, May 9, 18:30 — 19:00
Live Concert
Sunday, May 10
Sunday, May 10, 09:00 — 11:30
Session W18
Blu-ray—The Next (And Only?) Chance for High Resolution Music Media
Sunday, May 10, 09:00 — 11:30
Session W19
Audio over IP
Sunday, May 10, 09:00 — 12:30
Session P24
Assessment and Evaluation
Sunday, May 10, 09:00 — 12:30
Session P25
Sound Design and Processing
Sunday, May 10, 09:30 — 13:30
Session TT11
ARRI-Production Studios
Sunday, May 10, 09:30 — 13:30
Session TT12
Bavaria-Studios Cinepostproduction
Sunday, May 10, 12:00 — 14:00
Session W20
Standards-Based Audio Networks Using IEEE 802.1 AVB
Sunday, May 10, 12:00 — 14:00
Session W21
Multimodal Integration: Audio-Visual-Haptic-Tactile
Sunday, May 10, 14:30 — 17:00
Session T10
Audio System Grounding & Interfacing—An Overview
Sunday, May 10, 14:30 — 16:30
Session W22
MPEG SAOC: Interactive Audio and Broadcasting, Music 2.0, Next Generation Telecommunication
Last Updated: 20090723, saj
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