| PRELIMINARY CALENDAR OF THE
118th AES CONVENTION, v3.4, 20050519 |
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| 26 |
Standards |
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STANDARDS MEETINGS |
26 |
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May
27 |
Registration |
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REGISTRATION |
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May
27 |
| Standards |
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STANDARDS MEETINGS |
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S
A
T
U
R
D
A
Y
May
28 |
Registration |
REGISTRATION |
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S
A
T
U
R
D
A
Y
May
28 |
| Exhibits |
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EXHIBITS |
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| Paper Sessions |
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A SPATIAL PERCEPTION AND PROCESSESSING - 1 |
OPENING CEREMONIES
- Opening Remarks
- Awards Presentation
- Keynote Speech by
Ray Gillon
- Closing Remarks |
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C SPATIAL PERCEPTION AND PROCESSING - 2 |
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| Paper Sessions |
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B MICROPHONES |
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D AUTOMOTIVE AUDIO |
E INSTRUMENT.,MEASUREM. |
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| Posters |
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Z1 SIGNAL PROCESSING |
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Z2 DIGITAL AUDIO TECHN. |
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AES MIXER PARTY
18:30-20:00 h |
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| TC Meetings |
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TC MICROPHONES |
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TC SIGNAL PROCESS. |
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TC PERCEPTION |
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| TC Meetings |
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TC RECORDING |
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| Workshops |
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W1 AUDIO-HAPTIC INTERACTION |
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W2 SWITCH. AMPS for HI RES AUDIO |
W3 5.1 DOWNMIX IN PRACTICE |
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| Tutorials |
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T1 LOUDSPEAKERS AND ACOUSTICS |
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T2 SURROUND MUSIC |
T3 SUBJECTIVE MIC EVALUATION |
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| Live Sound Seminars |
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LS1 DJ MIXING |
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| Exhibitor Seminars |
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ES1 YAMAHA-ISSP |
ES3 YAMAHA-VCM |
ES5 PANASONIC |
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| Exhibitor Seminars |
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ES2 BRIDGECO-1 |
ES4 TEXAS INSTR. |
ES6 2+2+2 SOUND |
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| Students |
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STUDENT DELEGATE ASSEMBLY -1 |
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STUDENT PARTY
20:30-03:00h |
| Standards |
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STANDARDS MEETINGS |
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S
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N
D
A
Y
May
29 |
Registration |
REGISTRATION |
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S
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N
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A
Y
May
29 |
| Exhibits |
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EXHIBITS |
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| Paper Sessions |
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F ANALYSIS AND SYNTHESIS OF SOUND |
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H ROOM AND ARCHITECTURAL ACOUSTICS & SOUND REINFORCEMENT |
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| Paper Sessions |
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G MULTICHANNEL SOUND - 1 |
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I MULTICHANNEL SOUND - 2 |
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| Posters |
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Z3 LOW BIT RATE CODING |
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Z4 MISCELLANEOUS |
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Z5 ANALYSIS, SYNTHESIS |
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HEYSER LECTURE
followed by
TECHNICAL COUNCIL RECEPTION
18:15-20:00h |
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| TC Meetings |
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TC CODING |
TC SOUND REINF. |
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TC STUDIO PRACT. |
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TC TRANSMISSION |
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TC GAMES AUDIO |
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| TC Meetings |
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TC POLICY |
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TC MULTICHANNEL |
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TC SEMANTIC |
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| Workshops |
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W4 WHICH STORAGE MEDIUM |
W5 IMPLEMENTATION of ALGORITHMS |
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W6 THE POWER OF LS MODELS |
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BANQUET
21:00-23:30h |
| Tutorials |
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T4 SMALL STUDIO ACOUSTICS |
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T5 PERCEPTUAL AUDIO CODERS |
T6 DESIGN, USE MIC PRE-AMPS |
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| Live Sound Seminars |
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LS2 LOUDSPEAKER LINE ARRAYS |
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LS3 DIGITAL MIXING IN LIVE SOUND |
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| Exhibitor Seminars |
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ES7 BR�EL & KJAER |
ES9 YAMAHA-mLAN |
ES11 YAMAHA-THX |
ES12 YAMAHA-ISSP |
ES14 YAMAHA-VCM |
ES16 MERGING/DAD |
ES18 HOLOPHONE |
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| Exhibitor Seminars |
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ES8 2+2+2 SOUND |
ES10 MAYAH-1 |
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ES13 BRIDGECO-2 |
ES15 AUDIO PRECISION |
ES17 2+2+2 SOUND |
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| Students |
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DESIGN COMPETITION |
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EDUCATION FAIR |
MENTORING SESSION -1 |
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| Technical Tours |
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TT1 TELEVISI� DE CATALUNYA (TVC) |
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| Standards |
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STANDARDS MEETINGS |
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| AES Meetings |
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REGIONS & SECTIONS Mtg |
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M
O
N
D
A
Y
May
30 |
Registration |
REGISTRATION |
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M
O
N
D
A
Y
May
30 |
| Exhibits |
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EXHIBITS |
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| Paper Sessions |
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J LOUDSPEAKERS |
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L LOW BIT RATE CODING - 1 |
N LOW BIT RATE CODING - 2 |
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| Paper Sessions |
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K SIGNAL PROCESSING - 1 |
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M SIGNAL PROCESSING - 2 |
O HI RES AUDIO |
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| Posters |
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Z6 MULTICHANNEL SOUND |
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Z7 SPATIAL PERCEPTION |
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Z8 PSYCHOAC., PERC., LIST. |
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| TC Meetings |
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TC HEARING |
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TC NETWORKING |
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TC LOUDSPEAKERS |
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TC CAR AUDIO |
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TC TELECOM |
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| TC Meetings |
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TC ARCHIVING |
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TC HUMAN FACT. |
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TC HI RES AUDIO |
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TC FORENSICS |
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| Workshops |
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W7 SEMANTIC AUDIO RESEARCH |
W8 MEANING in MACHINE LISTENING |
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W9 DIGITAL AUDIO ARCHIVING |
W10 SUBJECTIVE TESTING of CAR AUDIO |
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ORGAN
RECITAL
20:00-22:00h |
| Tutorials |
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T7 THE ART OF JAZZ RECORDING |
T8 DISTANCE, DEPTH PERCEPTION |
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T9 LOUDSPEAKER BASICS |
W11 PRODUCERS PANEL |
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| Live Sound Seminars |
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LS4 LIVE MIXING DEMO: IN-EAR AND FRONT OF HOUSE MONITORING |
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| Exhibitor Seminars |
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ES19 MANDOZZI |
ES21 YAMAHA-mLAN |
ES23 YAMAHA-THX |
ES25 YAMAHA-ISSP |
ES27 YAMAHA-VCM |
ES29 APT |
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| Exhibitor Seminars |
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ES20 2+2+2 SOUND |
ES22 D.A.V.I.D. |
ES24 WAVEFRONT |
ES26 BRIDGECO-3 |
ES28 MAYAH-2 |
ES30 2+2+2 SOUND |
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| Students |
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RECORDING COMPETITION -1 |
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RECORDING COMPETITION -2 |
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MENTORING SESSION -2 |
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| Special Events |
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ARCHIVING GUIDED TOUR |
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| Technical Tours |
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TT2 GRAN TEATRE DEL LICEU: OPERA HOUSE |
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TT3 AUDITORIUM & ESMUC (Music School) |
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| Standards |
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STANDARDS MEETINGS |
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| AES Meetings |
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HISTORICAL COMM Mtg |
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T
U
E
S
D
A
Y
May
31 |
Registration |
REGISTRATION |
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T
U
E
S
D
A
Y
May
31 |
| Exhibits |
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EXHIBITS |
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| Paper Sessions |
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P MISCELLANEOUS AUDIO TOPICS |
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R RECORDING / REPROD. |
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| Paper Sessions |
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Q PSYCHOACOUSTICS, PERCEPTION, LISTENING TESTS -1 |
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S PSYCHOAC., PERC., LISTENING TESTS -2 |
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| Posters |
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Z9 REC./REPR.& HI RES.& INSTR. |
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Z10 ACOUSTICS & SOUND REINF. |
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Z11 LOUDSPEAKERS & MICS |
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| Workshops |
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W12 SYNTHESIS of MUSIC INSTRUMENTS |
W13 WAVE FIELD SYNTHESIS |
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W15 5.1 SURROUND SOUND BROADCAST |
W16 ACADEMIA MEETS INDUSTRY |
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| Tutorials |
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T10 SURROUND for DOCUMENTARIES |
W14 STUDIO OWNERS + PRODUCERS |
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T11 LINUX FOR AUDIO |
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| Live Sound Seminars |
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LS5 REMOTE CONTROLLED AMPLIFIERS AND EQUALIZATION SYSTEMS |
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| Exhibitor Seminars |
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ES31 2+2+2 SOUND |
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| Students |
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EDUCATION FORUM |
STUDENT DELEGATE ASSEMBLY -2 |
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| Technical Tours |
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TT4 MUSIC TECHN. GROUP UNIVERSITAT POMPEU FABRA |
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TT6 SONOBLOK: DUBBING AND MIXING OF FILM SOUND |
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| Technical Tours |
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TT5 MEDIAPRO: IMAGINA AUDIO VISUAL CENTER |
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| Standards |
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STANDARDS MEETINGS |
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8:00
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8:30
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9:00
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10:00
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10:30
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11:00
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11:30
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12:00
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12:30
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13:00
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13:30
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14:00
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14:30
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15:00
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15:30
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16:00
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16:30
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17:00
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17:30
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18:00
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18:30
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19:00
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19:30
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