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TECHNICAL PAPER SESSIONS
N: AUDIO CODING, PART 2/
Chair: Mark Sandler and Ben Leslie, King's College London, Strand, London, UK
Adaptive Loss Recovery and Adaptive Bit-Rate Scalability Using a Zerotree Audio Codec--Ben Leslie and Mark Sandler, King's College London, London, UK
Psychoacoustic Parametric Audio Coding Technique Using a High-Order QM Sub-band Filter Bank--Cedric M. M. Tio and C. K. Yeo, School of Applied Science, Nanyang Technological University, Singapore; and Roland K. C. Tan, Kent Ridge Digital Labs (KRDL), Singapore
Digital Watermarking of Audio Signals Using a Psychoacoustic Auditory Model and Spread Spectrum Theory--Ricardo A. Garcia, School of Music, University of Miami, Coral Gables, FL, USA
Interpolating between Head-Related Transfer Functions Measured with Low-Directional Resolution-Flemming Christensen, Henrik Møller, Pauli Minnaar, Jan Plogsties, and Søren Krarup Olesen, Aalborg University, Aalborg, Denmark
Auditory Model for Lateralization and the Precedence Effect--Bernd Theiß, University of Essex, and Audio Motor Presse Stuttgart, Stuttgart, Germany; and Malcolm O. J. Hawksford, Centre for Audio Reseach & Engineering, University of Essex, Colchester, Essex, UK
Investigation into the Relationship between Subjective Loudness and Auditory Distance Perception--Sheila Flanagan and Valerie Taylor, New Transducers Ltd., Huntingdon, Cambs., UK
O: APPLICATIONS OF OPTICAL
Chair: Takeo Yamamoto, Pioneer Electronic Corporation, Tokyo, Japan
Optical Recording Technology and Its Standardization---Kunimaro Tanaka, Teikyo-Heisei University, Ichihara, Chiba, Japan (Invited)
Recent Advances in Optical Recording for Consumer Applications--Jacques Heemskerk, Royal Philips Electronics, Eindhoven, The Netherlands
Professional Audio Applications of Optical Recording Technology--Jan de Wit, Augan, Westervoort, The Netherlands (Invited)
Future Trend of Optical Recording Technology--Tom D. Milster, University of Arizona, Tucson, AZ, USA (Invited)
P: DIGITAL SIGNAL
Chair: Dana Massie, E-mu Systems, Scotts Valley, CA, USA
Headphone Equalization Using DSP Approaches--Hong-Meng Liem and Woon-Seng Gan, School of Electrical and Electronic Engineering, Nanyang Technological University, Singapore
A Real-Time Virtual Surround Sound System with Bass Enhancement-Chee-Weng Toh and Woon-Seng Gan, School of Electrical and Electronic Engineering, Nanyang Technological University, Singapore
Strategy for Enhanced Computer User Interface Using Exaggerated Spatial Audio---Michael J. Evans, School of Computer Science, Cybernetics and Electronic Engineering, University of Reading, Reading, UK
Use of a 3-D Positional Interface for the Implementation of a Versatile Graphical Mixing Console--Jean-Michel Trivi and Jacques Lemordant, GRAVIR Laboratory, Montbonnot, France
Restoration of Coarsely Quantized Audio Signals Using Markov Chain Monte Carlo Methods--Paul Troughton and Simon J. Godsill, University of Cambridge, Cambridge, UK
Application of Kalman Filters for Audio Signal Enhancement and Restoration--S. A. Azizi, Becker Automotive Systems, Karlsbad, Germany
Q: MUSIC, INTERNET, AND
Chair: Neils Rump, Fraunhofer IIS, Erlangen, Germany
Managing Change: The Challenge of Rights Management in the New Millennium--Keith Hill, MCPS/PRS Alliance, London, UK (Invited)
Standardization Activities for Protecting Intellectual Property Rights: The Open Platform Initiative for Multimedia Access (OPIMA)--Talal Shamoon, InterTrust, Sunnyvale, CA, USA (Invited)
Standardization Activities for Protecting Intellectual Property Rights: MPEG-4 IPMP and AESSC SC-06-04--Phil Wiser, Liquid Audio, Redwood City, CA, USA (Invited)
A Progress Report of the Secure Digital Initiative--Cary Sherman, Recording Industry Association of America, Washington, DC, USA (Invited)
Watermarking: Myth and Truth of a Technology--Joe Winograd, Aris Technologies, Cambridge, MA, USA (Invited)
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