Chairman: John Meyer, Meyer Sound Laboratories, Inc., Berkeley, CA, USA
G-1 Distributed-Mode Loudspeaker Radiation Simulation Joerg Panzer and Neil Harris, New Transducers Ltd., Huntingdon, Cambs., UK
G-2 Loudspeaker Crossover Look Back Impedance Jon M. Risch, Peavey Electronics Corp., Meridian, MS, USA
G-3 Propagation Distortion in Sound Systems--Can We Avoid Them? Gene Czerwinski, Alexander Voishvillo, Sergei Alexandrov, and Alexander Terekhov, Cerwin-Vega Inc., Simi Valley, CA, USA
G-4 Nonlinear Dynamical Behavior of a Moving Voice Coil John W. Norris, Harman International, Northridge, CA, USA
G-5 Investigation of Sound-Quality Differences between Monopolar and Dipolar Woofers in Small Rooms Siegfried Linkwitz, Audio Artistry Inc., Corte Madera, CA, USA
G-6 Maximizing Performance from Loudspeaker Ports Douglas J. Button and Alex Salvatti, JBL Professional, Northridge, CA, USA
G-7 Calculated Response of a Compression Driver Using a Coupled-Field Finite-Element Analysis Carlos I. Beltran, Chicago Lawn High Technology, Chicago, IL, USA
G-8 Loudspeaker Design Software Including Automated Optimization Algorithm Gottfried K. Behler and Roger Lunatschek, Institute for Technical Acoustics, Technical University of Aachen, Aachen, Germany
G-9 MATLAB Program for Loudspeaker Equalization and Crossover Design M. O. J. Hawksford, University of Essex, Colchester, Essex, UK
Session H:
Sunday, September 27 - 2:00PM
Psychoacoustics, Perception, and Listening Tests
Chairman: Sean Olive, Harman International, Northridge, CA, USA
H-1 A New Laboratory for Evaluating Multichannel Audio Components and Systems Sean Olive, Brian Castro, and Floyd Toole, Harman International, Northridge, CA, USA
H-2 Codec Transparency, Listener Severity, Program Intolerance: Suggestive Relationships between Rasch Measures and Some Background Variables David Moulton and Mark Moulton, Moulton Laboratories, Groton, MA and San Jose, CA, USA
H-3 Evaluation of a Physiological Ear Model Considering Masking Effects Relevant to Audio Coding Frank Baumgarte, Institut f�r Theoretische Nachrichtentechnik und Informationsverar-beitung, Universit�t Hannover, Hannover, Germany
H-4 Some Aspects of Audio-Visual Perception of Different Program Materials (Film, Video, and Multimedia) Nina Dvorko and Konstantin Ershov, Institute for Cinema and Television, St. Petersburg, Russia
H-5 An Experimental Investigation into Multi-Modal Synchronization Sensitivity for Perceptual Model Development M. P. Hollier and A. N. Rimell, BT Labs, Martlesham Heath, Ipswich, Suffolk, UK
H-6 The Influence of Cross-Modal Interaction on Audio-Visual Speech Quality Perception A. N. Rimell, M. P. Hollier, and R. M. Voelcker, BT Labs, Martlesham Heath, Ipswich, Suffolk, UK
H-7 Daily Noise-Level Exposures of Professional Music Recording Engineers Wesley A. Bulla, Belmont University, Nashville, TN, USA; and James W. Hall III, Vanderbilt University Medical Center, Vanderbilt University, Nashville, TN, USA
H-8 An Analysis of Frequency-Dependent Hybrid Microphone Arrays for Stereophonic Sound Recording Colin Preston, Lane Cove, NSW, Australia
H-9 Stereophonic Localization in Rooms, Comparing Conventional and Distributed-Mode Loudspeakers Neil Harris and Sheila Flanagan, New Transducers Ltd., Huntingdon, Cambs., UK; and M. O. J. Hawksford, University of Essex, Colchester, Essex, UK
TECHNICAL PAPERS SESSIONS
(C) 2000, Audio Engineering Society, Inc.