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Free-Field Equivalent Localization of Virtual Audio

 

A New Approach to the Automatic Recognition of Musical Recordings

 

A Simple Loudspeaker Array and Associated Crosstalk Canceler for Improved 3D Audio

 

Digital Filters for Low-Frequency Equalization

 

On Sound Radiation from Ported Enclosures

 

The Effects of Specular Versus Diffuse Reflections on the Frequency Response at the Listener

 

Sound Composition with Pulsars

 

Development of the Two-Stage Harmonic Balance Method to Estimate Nonlinear Parameters of Electrodynamic Loudspeakers

 

Extracting Room Reverberation Time from Speech Using Artificial Neural Networks

 

Introduction to Head-Related Transfer Functions (HRTFs): Representations of HRTFs in Time, Frequency, and Space

 

Perceptual Wavetable Matching for Synthesis of Musical Instrument Tones

 

Signal Mixing for a 5.1-Channel Surround Sound System'Analysis and Experiment

 

Localization with Binaural Recordings from Artificial and Human Heads

 

Distortion and Directivity in a Digital Transducer Array Loudspeaker

 

Adaptive Parametric Schemes for Analysis and Synthesis of Musical Signals

 

Verbal and Nonverbal Elicitation Techniques in the Subjective Assessment of Spatial Sound Reproduction

 

Transfer-Function Measurement with Sweeps

 

Estimation of a Spherical-Head Model from Anthropometry

 

Transparent Differential Coding for High-Resolution Digital Audio

 

Digital Libraries, Preservation, and Metadata

 

MPEG-7 and MPEG-7 Audio'An Overview

 

Improving Access to Digital Video Archives through Informedia Technology

 

In Search of a Mapping from Parameter Space to Perceptual Space

 

From Single-Carrier Sound Archive to BWF Online Archive'A New Optimized Workstation Concept

 

Preserving the Facts for the Future: Principles and Practices for the Transfer of Analog Audio Documents into the Digital Domain

 

Why Archive Audio Metadata?

 

Saving America's Aural Legacy

 

Audio Archiving for 100 Years and Longer: Once We Decide What to Save, How Should We Do It?

 

Preserving Our Musical Heritage: A Musician's Outreach to Audio Engineers

 

The Jack Mullin/Bill Palmer Tape Restoration Project

 

Forward into the Past'Protecting Our Musical Heritage: An Architecture Guide for the Music Community

 

Localization of Amplitude-Panned Virtual Sources I: Stereophonic Panning

 

Localization of Amplitude-Panned Virtual Sources II: Two- and Three-Dimensional Panning

 

Representing Musical Instrument Sounds for Their Automatic Classification

 

A Reverberation Model Based on Objective Parameters of Subjective Perception

 

Correction to 'Improving Access to Digital Video Archives Through Informedia Technology'

 

An Interdisciplinary Synthesis of Reverberation Viewpoints

 

Direct Comparison of the Impact of Head Tracking, Reverberation, and Individualized Head-Related Transfer Functions on the Spatial Perception of a Virtual Speech Source

 

Multitone Testing of Sound System Components'Some Results and Conclusions, Part 1: History and Theory

 

Perceptual Tolerances for Decay Parameters in Plucked String Synthesis

 

A Simplified Wavetable Matching Method Using Combinatorial Basis Spectra Selection

 

High-Intensity Infrasonic Acoustic Test System that Uses a Two-Volume Helmholtz Resonator

 

Comparison of Numerical Simulation Models and Measured Low-Frequency Behavior of Loudspeaker Enclosures

 

A Method for Long Extrapolation of Audio Signals

 

Multitone Testing of Sound System Components'Some Results and Conclusions, Part 2: Modeling and Application