Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
The Acoustics and Psychoacoustics of Loudspeakers and Rooms-The Stereo Past and the Multichannel Future
At the point of delivering recorded sounds to listeners, the complex interactions of loudspeakers, rooms, and listeners present many challenges to delivering satisfying listening experiences. In the past the directional and spatial limitations of two-channel stereo led to many creative solutions in both loudspeakers and room design. However, multichannel audio changes the rules and sets new requirements for optimum listening conditions, not all of which are yet understood. Underlying all of this, though, are the basic requirements for timbral accuracy-good sound quality. In this respect there is a need for the recording industry to catch up to the highest standards of consumer audio if the -art- is to be adequately preserved. This presentation is a review of the science of sound reproduction in rooms, with a specific focus on what may be needed in order for our industry to face the challenges of multichannel recording and reproduction.:
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.