The need for achieving stereophonic reverberation in studio recording is discussed. Previous work reported in the literature is reviewed, methods and techniques applicable to recording facilities are considered, and the development and testing of an experimental model are detailed. Tests of the final model and sample recordings are discussed.
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members and is free for AES members and E-Library subscribers.