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Level Control in Digital Mastering

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Music mastering is becoming a battle for maximum level rather than a quest for audio quality, because counting consecutive samples at 0 dBFS is not an adequate restriction of level. This paper will discuss alternatives. New measurement practices may turn into a standard with which recordings have to comply in order to use a proposed dynamic range approval (DRA).

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Permalink: http://www.aes.org/e-lib/browse.cfm?elib=8161

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