Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
Computation and Memory Tradeoffs with Multiple Wavetable Interpolation
A multiple wavetable interpolation technique for matching acoustic instrument tones is introduced. The method uses a genetic algorithm to optimize the parameters, where the user defines the number of oscillators and wavetables. Previous work on wavetable interpolation has only worked with a pair of oscillators, whereas previous wavetable matching has only considered continuously active wavetables (that is, equal numbers of wavetables and oscillators). Results are presented using this new method to match a trumpet, a piano, and a wah-wah muted trombone. It is shown how the different combinations of wavetables and oscillators perform, especially in comparison with simple wavetable interpolation and wavetable matching. It is also shown how to use these comparisons tohelp determine the best combination of oscillators and wavetables for systems with various memory and computation constraints.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.