Digital System Integration in the Studio Monitoring Environment
High-level monitoring systems in the recording control room have traditionally made use of compression driver/horn components operating above approximately 800 Hz and one or more direct radiating cone transducers below that frequency. These systems have evolved in recent years; their target performance characteristics are discussed in this paper.:
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members and is temporarily free for AES members.