Synchronized Swept-Sine: Theory, Application, and Implementation - October 2015
Effect of Microphone Number and Positioning on the Average of Frequency Responses in Cinema Calibration - October 2015
The Measurement and Calibration of Sound Reproducing Systems - July 2015
Digital System Integration in the Studio Monitoring Environment
High-level monitoring systems in the recording control room have traditionally made use of compression driver/horn components operating above approximately 800 Hz and one or more direct radiating cone transducers below that frequency. These systems have evolved in recent years; their target performance characteristics are discussed in this paper.:
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