Sound has significant connotative effects that can control attention and refer to or represent unseen objects and events in the present, past, and future. It would be ideal to have an intelligent software agent with the expertise of a Foley artist and sound editor and capable of observing the user as well as designing and generating sound in real time. In lieu of this, being mindful of the connotative aspects of sound, the possibility of generating unintended perceptions, using proven software interface development techniques, and avoiding easy solutions are useful strategies to adopt.

Author: Ballas, James A.
Affiliation: Navy Center for Applied Research in Artificial Intelligence, Washington, DC
AES Convention: 101 (November 1996) Paper Number: 4344
Publication Date: November 1, 1996 Import into BibTeX
Subject: Multimedia
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=7435

Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $33 for non-members and is free for AES members and E-Library subscribers.

Learn more about the AES E-Library

E-Library Location: (CD aes13)   /pp9496/pp9611/4234.pdf

Start a discussion about this paper!