The reduction of total bits used for desktop audio applications is a necessary evil. Development of an "acquisition matrix" defined by: sample frequency; bit allocation; function; texture; etc., will provide procedural insights into effective bit reduction techniques without sacrificing fidelity. The area of technical aesthetics of sound design is also presented. The conclusion is a functional acquisition framework offering desktop audio sound design strategies.

Author: Haines, Thomas
Affiliation: University of Cincinnati, Cincinnati, OH
AES Convention: 103 (September 1997) Paper Number: 4553
Publication Date: September 1, 1997 Import into BibTeX
Subject: Networks and Interactive Audio
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=7226

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