Stereo Sound Recording with Shotgun Microphones
Although the number of stereo recordings for movie and television productions increased over the years, there are still problems with using the advantages of interference tube microphones for this technique. Measurements of different configurations are presented, and their applicability for original sound pickup is discussed.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.