This paper describes work on the adaption of speech analysis and synthesis techniques, namely Linear Predictive Coding (LPC) and Foremant Synthesis, to the analysis and synthesis of musical instruments. The algorithms are described and results presented for LPC synthesis and formant extraction. The paper closes with an introduction to the techniques to be adapted in formant synthesis.

Author: Sandler, Mark B.
Affiliation: King's College London, London, England
AES Convention: 86 (March 1989) Paper Number: 2758
Publication Date: March 1, 1989 Import into BibTeX
Subject: Electronic Music and Computers
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=5936

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