Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
Recording Techniques and Perception of Environment
In many forms of music (classical, traditional, some jazz, and some folk) one ideal of recording is the creation of a sense of being there in the original performance space. This illusion is primarily impacted by the listening environment and by microphone technique. This paper is an investigation into published literature to find research which has taken the entire system, from recording space to listening space, as its subject. It also explores the inter-relation between listening environment and microphone technique, and identifies some of the factors of acoustics and perception which make various common recording techniques successful.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.