Multichannel Sound Reproduction Quality Improves with Angular Separation of Direct and Reflected Sounds - June 2015
Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Electronic Production of Percussive Sounds
Percussion instrument sounds are generally characterized by a rapid attack, poorly defined pitch and a long decay. In the production of percussion sounds, the more simple the complete sound envelope, the better, as long as each component is reasonably authentic. A circuit with adjustable striking device, that can be tuned to a given pitch, enables the production of a large array of percussion types. White noise, suitable formant filters and keying circuits provide the other side of the family. Combinations of the two complete the picture for most of the special cases. The foregoing philosophy was applied during the design of the Wurlitzer -side Man-.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.