Synchronized Swept-Sine: Theory, Application, and Implementation - October 2015
Effect of Microphone Number and Positioning on the Average of Frequency Responses in Cinema Calibration - October 2015
The Measurement and Calibration of Sound Reproducing Systems - July 2015
The -Lede- Concept for the Control of Acoustic and Psdychoacoustic Parameters in Recording Control Rooms
An approach to the standardized control room is found in the "Live end-Dead end" (LEDE) technique. Desirable features include greatly increased spatial perception, psychoacoustic removal of directional clues from the semi-reverberant sound field, assurance of the generation of a suitable semi-reverberant sound field, and deliberate control of anomoly density and arrival time at the mixing engineer's ears. The result is an exceptionally neutral control room environment that allows precision judgments to be made at the mixing console that correlate remarkably with the sound field appearing between two microphones in the studio. Both theoretical considerations as well as actual user responses, will be discussed.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.