In This Section
AES Store
- Learn From The Experts:

Bob Ludwig "Mastering"- Oral History Project Gallery
- Other AES Publications
Journal Forum
Virtual Localization by Blind Persons - July 2012
1 comment
Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
1 comment
Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
1 comment
AES E-Library
Reverberation Chambers for Broadcasting and Recording Studios
This paper discusses the design of reverberation chambers for use in sound recording studios. Such factors as the optimal ratio for height-width-length for various room sizes, the variation of reverberation time with room volume for enclosure having such preferred dimensions, and the effect of wall construction using materials with various sound absorption coefficients are considered and illustrated graphically. Equations for estimating noise infiltration and the effect of small openings are given. It is indicated that the minimum dimensions required to achieve satisfactory results for adding reverberation in recorded speech and music should be of the order of (symbol)/2 at the lowest frequency of interest, and that the minimum room volume should exceed 1000 cubic feet. A summary of the factors which must be considered in the construction of such chambers is offered in conclusion.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.
Learn more about the AES E-Library
Start a discussion about this paper!






