Over the years, the ear's ability to detect phase distortion in musical signals has been a controversial question. Research for the purpose of finding a suitable complex signal whose different frequency components could be altered in ase without altering the amplitude spectrum is reported. Subjective listening tests, using a number of listeners, have demonstrated the detectability of phase. It has also been demonstrated that the ear -prefers- the frequency content in negative-pressure transient fronts, thus raising the question of a need for polarity standardization.
https://www.aes.org/e-lib/browse.cfm?elib=2790
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members and is free for AES members and E-Library subscribers.
Learn more about the AES E-Library
Start a discussion about this paper!