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Experiments in the Enhancement of the Artist's Ability to Control His Interface with the Acoustic Environment in Large Halls

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The successful contemporary rock artist needs to hear and feel accurately what is going out to his audience. Neither amplification nor reinforcement suitably answer the artist's needs. Experiments with a mammoth system have revealed a number of significant parameters that need to be artistically considered as we approach the use of synthesizer-computer instruments "conducted" by artist-composers.

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