How to Fool the Ear and Make Bad Recordings: The Influence of the Listening Response in Sound Control Rooms on the Mixdown of a Multitrack Master Recording
A 16-track master recording with a jazz/rock group has been mixed down in four different sound control rooms under the existing listening conditions. After the mixdown the listening response was measured and compared to equalizations done to the program material and also to the spectrum energy response of the corresponding recording.
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