Acoustic design of performance spaces often places the performer relatively low in the hierarchy of needs in comparison to the quality of sound for an audience, and while there are a number of studies relating to solo performers’ and symphony orchestras preferred acoustic environments, there is a paucity of literature on objective measurements of the impact of acoustic spaces on smaller ensembles. This study aims to build a methodology for analysis of changes in ensemble musical expression caused by different acoustic environments and extends previous research in the area of acoustics and musical performance.
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