On the Acoustics of Multi-Track Recording Studios
The purpose of this paper is twofold. A: To point out the need of sufficient low-frequency absorption in modern music recording studios employing multiple microphone set-ups for multitrack recording and B: to describe the construction of an efficient low-frequency absorber of moderate size. The accomplishment of both purposes requires some mathematical derivations, some of which will appear in the Appendix. The results of the calculations will be utilized in the immediate discussion, however, to elucidate and to emphasize certain conditions, requirements, and findings pertaining to the acoustics of the multi-track recording studios.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members, $5 for AES members and is free for E-Library subscribers.