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Equalizing the Monitoring Environment

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Today's -new music- is an art form which has its first existence over loudspeakers. In both the recording control and remix rooms higher degrees of electro-acoustical accuracy are now demanded, and this has led to the general use of equalization as a means of minimizing the error between electrical and acoustical domains. Complex transfer functions of practical filter systems are examined and current engineering practice is described in detail.

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Permalink: http://www.aes.org/e-lib/browse.cfm?elib=1767

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