According to the Complete Vocal Technique four vocal modes are defined: Neutral, Curbing, Overdrive, and Edge. These modes are valid for both the singing voice and the speaking voice. The modes are clearly identified both from listening and from visual laryngograph inspection of the vocal cords and the surrounding area of the vocal tract. In a recent work a model has been described to distinguish between the modes based on acoustical analysis. This paper looks further into the characteristics of the voice modes in singing in order to test the model already provided. The conclusion is that the model is too simple to cover the full range. The work has also provided information on singers’ SPL and formants’ repositioning in dependence of pitch. Further work is recommended.
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members and is free for AES members and E-Library subscribers.