In the modern world of audio production, there exists a significant disconnect between the music mixing control room of the audio professional and the listening space of the consumer or end user. The goal of this research is to evaluate a series of varying acoustic conditions commonly used in such listening environments. Expert listeners are asked to perform basic balancing tasks, under varying acoustic conditions. The listener can remain in position while motorized panels rotate behind a screen, exposing a different acoustic condition for each trial. Results show that listener fatigue as a variable is thereby eliminated, and the subject’s aural memory is quickly cleared, so that the subject is unable to adapt to the newly presented condition for each trial.
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