Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
The Effect of Reverberation on Music Performance
The structure of playing musical instruments consists of 3 basic steps: performing on the instrument to make musical sounds, recognizing spatial information and music in the space through listening to the sounds themselves, and finally returning the information to the performance to adapt their musical experience and consciousness. These steps go on as a loop during the performance of musical instruments, and it is widely known that reverberation effects recognition of the space, i.e. the second step. Adjusting the whole acoustic environment inside the room with sampling reverberation should help musicians to play just as they want to. In this paper, the relation between multiple parameters of reverberation and the features of solo violin performance is investigated.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members and is free for AES members and E-Library subscribers.
The Engineering Briefs at this Convention were selected on the basis of a submitted synopsis, ensuring that they are of interest to AES members, and are not overly commercial. These briefs have been reproduced from the authors' advance manuscripts, without editing, corrections, or consideration by the Review Board. The AES takes no responsibility for their contents. Paper copies are not available, but any member can freely access these briefs. Members are encouraged to provide comments that enhance their usefulness.