Perceptual Effects of Dynamic Range Compression in Popular Music Recordings - January 2014
Accurate Calculation of Radiation and Diffraction from Loudspeaker Enclosures at Low Frequency - June 2013
New Measurement Techniques for Portable Listening Devices: Technical Report - October 2013
The Preset Is Dead; Long Live the Preset
The use of preset sounds in audio production has long been scorned by professional producers, some of whom have cited a lack of originality or integrity, or perhaps a proliferation of homogenization in productions. Despite this, manufacturers have continued to develop ever-larger ranges of presets, now extending beyond instruments and effects, to EQ and even whole channel strips. Developmental work continues to further automate aspects of the mixing process itself. This brief will examine the implications of presets from yesterday to today, and using Logic Pro as a case study, offer some insight into the relevance of this evolving arena to the professional, and the implications to the enthusiast. It will conclude with some conjecture for the future.
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The Engineering Briefs at this Convention were selected on the basis of a submitted synopsis, ensuring that they are of interest to AES members, and are not overly commercial. These briefs have been reproduced from the authors' advance manuscripts, without editing, corrections, or consideration by the Review Board. The AES takes no responsibility for their contents. Paper copies are not available, but any member can freely access these briefs. Members are encouraged to provide comments that enhance their usefulness.