Perceptual Effects of Dynamic Range Compression in Popular Music Recordings - January 2014
Accurate Calculation of Radiation and Diffraction from Loudspeaker Enclosures at Low Frequency - June 2013
New Measurement Techniques for Portable Listening Devices: Technical Report - October 2013
On the Use of Small Microphone Arrays for Wave Field Synthesis Auralization
The synthesis of a captured sound field with preservation of its perceptual properties is called auralization. Data-based Wave Field Synthesis (WFS) auralization makes use of a set of measured impulse responses along an array of microphone positions. However, a considerable array size must be employed for having an appropriate angular resolution. In this paper, we explore the possibilities of time-frequency analysis for WFS auralization using the signals acquired from an array of closely-spaced microphones. The aim is to reproduce in WFS a sound scene captured by a small microphone array, while preserving the spatial impression of the original sound. To this end, time-frequency Direction-Of-Arrival (DOA) estimates are used to obtain a set of directional audio components extracted from the recorded microphone signals. These components are later synthesized as spatially distributed plane waves using WFS. As further refinement, an alternative rendering strategy using point sources is discussed, which seems to improve localization stability.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.