Perceptual Effects of Dynamic Range Compression in Popular Music Recordings - January 2014
Accurate Calculation of Radiation and Diffraction from Loudspeaker Enclosures at Low Frequency - June 2013
New Measurement Techniques for Portable Listening Devices: Technical Report - October 2013
Perceived Level of Late Reverberation in Speech and Music
This paper presents experimental investigations on the perceived level of running reverberation in various types of monophonic audio signals. The design and results of three listening tests are discussed. The tests focus on the influence of the input material, the direct-to-reverberation ratio (mixing level), and the reverberation time using artificially generated impulse responses for simulating the late reverberation. Furthermore, a comparison between mono and stereo reverberation is conducted. It can be observed that with equal mixing levels, the input material and the shape of the reverberation tail have a prominent effect on the perceived level. The results suggest that mono and stereo reverberation with identical reverberation times and mixing ratios are perceived as having equal level regardless of the material.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.