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Theory and Practice of Modified Frequency Modulation Synthesis

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Frequency modulation synthesis of musical instruments has been studied for years and its limitations are well known. By modifying the basic closed-form equations to work in the complex domain, an alternative method that can overcome some of these limitations is presented. The proposed approach provides a smoothly evolving spectrum with regard to variations in modulation index. A phase-synchronous version is discussed with application to resonant and formant synthesis. A comparison with the classical frequency modulation approach illustrates its advantages. Adaptive applications of the algorithm are introduced and explored.

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JAES Volume 58 Issue 6 pp. 459-471; June 2010
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Permalink: http://www.aes.org/e-lib/browse.cfm?elib=15506

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AES - Audio Engineering Society