We describe a novel musical instrument designed for use in contemporary dance performance. This instrument, the Serendiptichord, takes the form of a headpiece plus associated pods which sense movements of the dancer, together with associated audio processing software driven by the sensors. Movements such as translating the pods or shaking the trunk of the headpiece cause selection and modification of sampled sounds. We discuss how we have closely integrated physical form, sensor choice and positioning and software to avoid issues which otherwise arise with disconnection of the innate physical link between action and sound, leading to an instrument that non-musicians (in this case, dancers) are able to enjoy using immediately.

Authors: Murray-Browne, Tim; Mainstone, Di; Bryan-Kinns, Nick; Plumbley, Mark D.
Affiliation: Queen Mary University of London, London, UK
AES Convention: 128 (May 2010) Paper Number: 8139
Publication Date: May 1, 2010 Import into BibTeX
Subject: Innovative Applications
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=15435

Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $33 for non-members and is free for AES members and E-Library subscribers.

Learn more about the AES E-Library

E-Library Location: (CD 128Papers)   /128/8139.pdf

Start a discussion about this paper!