Multichannel Sound Reproduction Quality Improves with Angular Separation of Direct and Reflected Sounds - June 2015
Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Acoustic Space Sampling and the Grand Piano in a Non-Anechoic Environment: A Recordist-Centric Approach to the Musical Acoustic Study
A novel approach to instrument acoustics research is presented in which the instrument is coupled with a room and both are measured as a single acoustical system, in juxtaposition to many anechoic and computer simulated studies of musical acoustics. The technique is applied to the ubiquitous concert grand piano, where spectral information is gathered through the process of “acoustic space sampling” (AcSS), using more than 1330 microphones. The physical data is then combined with psychoacoustic predictors to generate a map of timbre. This map is compared to the preference of expert listeners, thereby correlating the physical measures obtained through acoustic space sampling to the application of the recording engineer.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.