AES Store

Journal Forum

Reflecting on Reflections - June 2014
1 comment

Quiet Thoughts on a Deafening Problem - May 2014
1 comment

Perceptual Effects of Dynamic Range Compression in Popular Music Recordings - January 2014
5 comments

Access Journal Forum

AES E-Library

Automatic Monitor Mixing for Live Musical Performance

During live performances musicians require a monitor mix on stage in order to hear themselves and others. The monitor mix is usually controlled by a set of monitor loudspeakers that face away from the audience. These require their own mixing, separate from the audience feed. An automated mixing algorithm can approach the results of an expert mixer for the monitor function. A model has been developed that describes the basis for this monitoring function while incorporating minimum and maximum sound intensity. The solution space is constrained by the need to avoid feedback, and this limits the degree to which the monitor mix can achieve the target requirements. However, the algorithm suggests optimal location of monitors and direct sources (such as guitar amplifiers) on stage.

Authors:
Affiliation:
JAES Volume 57 Issue 11 pp. 927-936; November 2009
Publication Date:

Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.

Learn more about the AES E-Library

E-Library Location:

Join the discussion about this paper! (1 comment)


 
Facebook   Twitter   LinkedIn   Google+   YouTube   RSS News Feeds  
AES - Audio Engineering Society