AES E-Library

Recording and Reproduction over Two Loudspeakers as Heard Live. Part 2: Recording Concepts and Practices

For a half century, the crucial interaction between recording engineer and monitor loudspeakers during two-channel stereophonic recording has not been resolved, leaving the engineer to cope with uncertainties. However, recent advances in defining and improving this loudspeaker-room-listener interface have finally allowed objectivity to inform and shape the engineer’s choices. The full potential of the two-channel stereo format is now accessible to the recording engineer, and in a room that is just as normal as most consumers’ rooms. The improved reproduction has also allowed a deeper understanding of the merits and limits of spaced and coincident/near-coincident microphone arrays. As a result of these and earlier observations, a four-microphone array was conceived which exploits natural hearing processes to achieve greater auditory realism from two loudspeakers. A number of insights have emerged from the experiments.

Authors: Barringer, Don; Linkwitz, Siegfried
Affiliations: Linkwitz Lab, Arlington, CA, USA; Linkwitz Lab, Corte Madera, CA, USA(See document for exact affiliation information.)
AES Convention:126 (May 2009) Paper Number:7671 Import into BibTeX
Subject:Recording, Reproduction, and Delivery

Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.

Learn more about the AES E-Library

E-Library Location: (CD 126Papers)   /126/7671.pdf

Start a discussion about this paper!