In This Section
AES Store
- Learn From The Experts:

Frank Laico "Studio Recording"- Oral History Project Gallery
- Other AES Publications
Journal Forum
Virtual Localization by Blind Persons - July 2012
1 comment
Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
1 comment
Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
1 comment
AES E-Library
Spatial Audio Scene Coding in a Universal Two-Channel 3-D Stereo Format
We describe a frequency-domain method for phase-amplitude matrix decoding and up-mixing of two-channel stereo recordings, based on spatial analysis of 2-D or 3-D directional and ambient cues in the recording, and re-synthesis of these cues for consistent reproduction over any loudspeaker or headphone playback system. The decoder is compatible with existing two-channel phase-amplitude stereo formats; however, unlike existing time-domain decoders, it preserves source separation and allows accurate reproduction of ambience and reverberation cues. The two-channel spatial encoding/decoding scheme is extended to incorporate 3-D elevation, without relying on HRTF cues. Applications include data-efficient storage or transmission of multi-channel soundtracks and computationally-efficient interactive audio spatialization in a backward-compatible stereo encoding format.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.
Learn more about the AES E-Library
Start a discussion about this paper!






