In This Section
AES Store
- Learn From The Experts:

Frank Laico "Studio Recording"- Oral History Project Gallery
- Other AES Publications
Journal Forum
Virtual Localization by Blind Persons - July 2012
1 comment
Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
1 comment
Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
1 comment
AES E-Library
50 Years of Sound Control Room Design
Sound control room design is an interesting corner of small room acoustics and represents most of the problems found here: Frequency balanced reverberation time, proper distribution of room modes, low frequency reproduction, sound source and receiver positioning, etc. The function of the control room is twofold, which is often overlooked: On one hand the control room together with the monitor loudspeakers should reproduce as faithful as possible the efforts of the sound engineer and the producer in creating a new recording. On the other hand the control room should mimic the perceived acoustics of an average living room when checking the final result of the recording. Simply because most musical productions are aimed at the listening environment of a living room.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.
Learn more about the AES E-Library
Start a discussion about this paper!






