For electro-acoustic systems in opera houses and theaters the quality yardstick of sound studio engineering must be applied since audiences, pampered by the original sound of singers and orchestra and by the acoustical perfection of cinema, radio, television, and record discs, have become most discriminating and today can be satisfied only with systems which enable to create the sound effects that support the stage events and thus enhance the illusion of the spectators, with utmost fidelity.
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members and is free for AES members and E-Library subscribers.