Some Consideration Regarding Volume Production of Electronic Musical Instruments
The general engineering philosophy and problems of musical tone production are contrasted with problems familiar to audio specialists. A commercially produced instrument is referenced, including a description of the electronism incorporating a novel frequency divider mechanical design featuring complete sectionalizing of chassis and minimizing of external harnessing. Tone color circuits and keying problems are also covered briefly.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members, $5 for AES members and is free for E-Library subscribers.