In This Section
AES Store
- Learn From The Experts:

Frank Laico "Studio Recording"- Oral History Project Gallery
- Other AES Publications
Journal Forum
Virtual Localization by Blind Persons - July 2012
1 comment
Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
1 comment
Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
1 comment
AES E-Library
Surround Recording of Music: Problems and Solutions
How can we make surround recording for pure audio applications more successful? Musical content and good sound (among other concerns) are as important in surround as they are in two-channel stereo. But the manufacturers of home playback equipment and the producers of program material have not yet exhausted all the possibilities. Surround must offer both localization and a sense of spaciousness throughout an enlarged listening area if it is to justify its higher costs. Success therefore depends greatly on the use of recording methods which extract maximum benefit from the center channel. Various possibilities exist for surround microphone arrangements; eight different methods for 5.0 pickup will be described, along with the issues of crosstalk and "stereo down-mix compatibility."
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.
Learn more about the AES E-Library
Start a discussion about this paper!






