Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
Differences of Hearing Impressions Among Several High Sampling Digital Recording Formats
To study the difference of hearing impression among several high sampling digital recording formats, we conducted subjective evaluation tests of perceptual discrimination among following digital recording formats: 48kHz 24bit PCM, 192kHz 24bit PCM and DSD. Sound stimuli for the evaluation were originally recorded to maintain the exact same quality of analog input feeds to the three A/D conversion systems. The sound reproduction system for the subjective evaluation tests was also carefully designed to reproduce the original quality of each digital recording format. Listening panels were selected from students and faculty stuffs of university of music, recording engineers, and musicians. A pair test method was applied to the subjective evaluation. Through the several evaluation tests, no significant difference was observed.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.