The paper describes a technique that uses 2 channel stereo microphone techniques as the basis for surround sound microphone technique. The technique provides variable microphone polar patterns, multiple outputs for surround sound, as well as retaining conventional 2 channel stereo outputs. The method also extends creative possibilities for conventional multiple mono or multi-track techniques.

Author: Preston, Colin
Affiliation: Royal Northern College of Music, Manchester, UK
AES Conference: 24th International Conference: Multichannel Audio, The New Reality (June 2003)
Paper Number: 2
Publication Date: June 1, 2003 Import into BibTeX
Subject: Multichannel Audio
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=12313

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